Artwork

Lacuna (Conduit), installation, 2009
Falling, performance, 2018
On Attempting Negative Capability, performance/Installation, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
C, sculptural situation, 2010
Lacuna (iceburg), sculpture, 2011
Attempt #45, 2 of 5
We Took Everything for Granted
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Love Like Sponge
SportsBall
I’ll Meet You Halfway, performance, 2010
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
WEIRD WORD
Color Photograph, 2012
Andrew Salyer Reads Hannah Arendt
Yesterday (after On Kawara)
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Why am I smiling?
To Think of Things Impossible (detail)
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Trickle Down, sculptural situation, 2010
TENTATIVE!
Lacuna (installation detail)
Thank You for the Storage Space, 2 of 4
Link to project: https://www.facebook.com/samephotoofandrewsalyereveryday
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Here We Left It: A Dear Heart Dance Production, performance, 2010
Waves Of Melancholy (lying on my right side), poem
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Thank You for the Storage Space, 1 of 4
Nothing Left to Make
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
On Constructing a Black Hole, 2 of 3
Stand up, 2010
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Later that evening we gathered in the drawing room (installation)
1 and 3 Plants, installation, 2008
Standards & Rules
Double Void (BaldeKlein), manipulated digital photograph, 2011
On Constructing a Black Hole, 3 of 3
Thank You for the Storage Space, 3 of 4
Public Intellectual (interactive website)
Activist Art Exhibition Arendt Reading
One Day
Attempt #45, 1 of 5
Shoot (Sans Burden), digital photograph intervention, 2012
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Attempt #45, 2 of 5
Lacuna (Conduit), digital video, 2009
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
What Does That Mean?
On Constructing a Black Hole, 1 of 3
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Comedy Routine, digital video, 2012
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Erased Rauschenberg Drawing, digital intervention, 2016
Skin Flesh
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
To Think of Things Impossible
Waves Of Melancholy (lying on my left side), poem
Attempt #45, 4 of 5
A Scene from the Future
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Untitled #1 (Waves), color photograph, 2016
Concerning the Contemporary Landscape, photograph, 2015
Void (after Yves Klein), digital photograph intervention, 2011
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Attempt #45, 3 of 5
Theory and/or Practice (Self-Portrait) Photograph, 2019
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Flood, color photograph, 2010
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Thank You for the Storage Space, 4 of 4
The Light That Never Goes Out Until It Does, sculpture, 2011
Later that evening we gathered in the drawing room (photograph detail)
Falling, performance, 2018
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Trickle Down, sculptural situation, 2010
Thank You for the Storage Space, 4 of 4
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
In Consideration of the Wall (red foam nose), gallery intervention, 2016
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
1 and 3 Plants, installation, 2008
Lacuna (Conduit), installation, 2009
Attempt #45, 3 of 5
Erased Rauschenberg Drawing, digital intervention, 2016
C, sculptural situation, 2010
Flood, color photograph, 2010
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Void (after Yves Klein), digital photograph intervention, 2011
On Constructing a Black Hole, 1 of 3
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Comedy Routine, digital video, 2012
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
On Constructing a Black Hole, 2 of 3
Stand up, 2010
Flood, color photograph, 2010
Thank You for the Storage Space, 2 of 4
Untitled #1 (Waves), color photograph, 2016
Color Photograph, 2012
Waves Of Melancholy (lying on my right side), poem
Concerning the Contemporary Landscape, photograph, 2015
On Attempting Negative Capability, performance/Installation, 2010
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Attempt #45, 4 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Attempt #45, 2 of 5
Double Void (BaldeKlein), manipulated digital photograph, 2011
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Here We Left It: A Dear Heart Dance Production, performance, 2010
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Later that evening we gathered in the drawing room (installation)
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Thank You for the Storage Space, 1 of 4
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
I’ll Meet You Halfway, performance, 2010
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Lacuna (Conduit), digital video, 2009
Falling, performance, 2018
The Light That Never Goes Out Until It Does, sculpture, 2011
Attempt #45, 2 of 5
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
don’t forget to have a good time
Sharetopia, tumblr website
Public Intellectual (interactive website)
To Think of Things Impossible
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Thank You for the Storage Space, 3 of 4
Lacuna (iceburg), sculpture, 2011
Shoot (Sans Burden), digital photograph intervention, 2012
To Think of Things Impossible (detail)
Activist Art Exhibition Arendt Reading announcement, 2017
Falling, performance, 2018
Later that evening we gathered in the drawing room (photograph detail)
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
The Great Fall, photograph, 2007
Activist Art Exhibition Arendt Reading
On Constructing a Black Hole, 3 of 3
Attempt #45, 1 of 5
Lacuna (installation detail)
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Waves Of Melancholy (lying on my left side), poem
Untitled (wave pile), 2012
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself