Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Thank You for the Storage Space, 1 of 4
Falling, performance, 2018
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Shoot (Sans Burden), digital photograph intervention, 2012
On Attempting Negative Capability, performance/Installation, 2010
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Concerning the Contemporary Landscape, photograph, 2015
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Later that evening we gathered in the drawing room (photograph detail)
Lacuna (installation detail)
On Constructing a Black Hole, 3 of 3
In Consideration of the Wall (red foam nose), gallery intervention, 2016
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Untitled #1 (Waves), color photograph, 2016
The Light That Never Goes Out Until It Does, sculpture, 2011
Later that evening we gathered in the drawing room (installation)
Stand up, 2010
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
To Think of Things Impossible (detail)
Waves Of Melancholy (lying on my right side), poem
Flood, color photograph, 2010
Waves Of Melancholy (lying on my left side), poem
C, sculptural situation, 2010
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Here We Left It: A Dear Heart Dance Production, performance, 2010
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Void (after Yves Klein), digital photograph intervention, 2011
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Thank You for the Storage Space, 3 of 4
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Why am I smiling?
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
I’ll Meet You Halfway, performance, 2010
1 and 3 Plants, installation, 2008
Trickle Down, sculptural situation, 2010
Andrew Salyer Reads Hannah Arendt
Attempt #45, 2 of 5
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Activist Art Exhibition Arendt Reading
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Theory and/or Practice (Self-Portrait) Photograph, 2019
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
Erased Rauschenberg Drawing, digital intervention, 2016
To Think of Things Impossible
Lacuna (Conduit), digital video, 2009
Double Void (BaldeKlein), manipulated digital photograph, 2011
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Falling, performance, 2018
Attempt #45, 3 of 5
Lacuna (Conduit), installation, 2009
Thank You for the Storage Space, 2 of 4
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Attempt #45, 2 of 5
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Color Photograph, 2012
Attempt #45, 4 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
In Consideration of the Wall (red foam nose), gallery intervention, 2016
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Public Intellectual (interactive website)
Comedy Routine, digital video, 2012
Attempt #45, 1 of 5
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
On Constructing a Black Hole, 1 of 3
Lacuna (iceburg), sculpture, 2011
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
On Constructing a Black Hole, 2 of 3
Thank You for the Storage Space, 4 of 4
Lacuna (Conduit), installation, 2009
On Attempting Negative Capability, performance/Installation, 2010
Later that evening we gathered in the drawing room (photograph detail)
Comedy Routine, digital video, 2012
To Think of Things Impossible (detail)
I’ll Meet You Halfway, performance, 2010
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
On Constructing a Black Hole, 3 of 3
On Constructing a Black Hole, 2 of 3
Activist Art Exhibition Arendt Reading announcement, 2017
Thank You for the Storage Space, 1 of 4
Stand up, 2010
Color Photograph, 2012
Activist Art Exhibition Arendt Reading
Sharetopia, tumblr website
Thank You for the Storage Space, 4 of 4
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
don’t forget to have a good time
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Falling, performance, 2018
Lacuna (Conduit), digital video, 2009
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Trickle Down, sculptural situation, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Erased Rauschenberg Drawing, digital intervention, 2016
Concerning the Contemporary Landscape, photograph, 2015
To Think of Things Impossible
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Attempt #45, 1 of 5
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Attempt #45, 2 of 5
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Untitled (wave pile), 2012
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Shoot (Sans Burden), digital photograph intervention, 2012
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Double Void (BaldeKlein), manipulated digital photograph, 2011
The Light That Never Goes Out Until It Does, sculpture, 2011
The Great Fall, photograph, 2007
Attempt #45, 2 of 5
Waves Of Melancholy (lying on my right side), poem
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Thank You for the Storage Space, 3 of 4
C, sculptural situation, 2010
Thank You for the Storage Space, 2 of 4
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Attempt #45, 4 of 5
Attempt #45, 3 of 5
1 and 3 Plants, installation, 2008
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Flood, color photograph, 2010
Void (after Yves Klein), digital photograph intervention, 2011
Falling, performance, 2018
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
On Constructing a Black Hole, 1 of 3
Here We Left It: A Dear Heart Dance Production, performance, 2010
Lacuna (iceburg), sculpture, 2011
Flood, color photograph, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Lacuna (installation detail)
Later that evening we gathered in the drawing room (installation)
Waves Of Melancholy (lying on my left side), poem
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Untitled #1 (Waves), color photograph, 2016
Public Intellectual (interactive website)
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
