Lacuna (iceburg), sculpture, 2011
To Think of Things Impossible (detail)
On Constructing a Black Hole, 3 of 3
Here We Left It: A Dear Heart Dance Production, performance, 2010
On Constructing a Black Hole, 2 of 3
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Untitled #1 (Waves), color photograph, 2016
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Void (after Yves Klein), digital photograph intervention, 2011
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Comedy Routine, digital video, 2012
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
To Think of Things Impossible
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
In Consideration of the Wall (red foam nose), gallery intervention, 2016
The Great Fall, photograph, 2007
Later that evening we gathered in the drawing room (installation)
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
1 and 3 Plants, installation, 2008
Attempt #45, 4 of 5
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Sharetopia, tumblr website
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Double Void (BaldeKlein), manipulated digital photograph, 2011
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Flood, color photograph, 2010
Later that evening we gathered in the drawing room (photograph detail)
Erased Rauschenberg Drawing, digital intervention, 2016
Lacuna (Conduit), installation, 2009
Falling, performance, 2018
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Thank You for the Storage Space, 3 of 4
Flood, color photograph, 2010
Thank You for the Storage Space, 4 of 4
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Waves Of Melancholy (lying on my left side), poem
Concerning the Contemporary Landscape, photograph, 2015
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Color Photograph, 2012
Falling, performance, 2018
Activist Art Exhibition Arendt Reading announcement, 2017
Thank You for the Storage Space, 2 of 4
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Shoot (Sans Burden), digital photograph intervention, 2012
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Waves Of Melancholy (lying on my right side), poem
Stand up, 2010
On Constructing a Black Hole, 1 of 3
Attempt #45, 3 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Activist Art Exhibition Arendt Reading
The Light That Never Goes Out Until It Does, sculpture, 2011
Attempt #45, 2 of 5
On Attempting Negative Capability, performance/Installation, 2010
Public Intellectual (interactive website)
C, sculptural situation, 2010
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Attempt #45, 2 of 5
Untitled (wave pile), 2012
Lacuna (Conduit), digital video, 2009
Attempt #45, 1 of 5
Lacuna (installation detail)
Trickle Down, sculptural situation, 2010
Thank You for the Storage Space, 1 of 4
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
don’t forget to have a good time
I’ll Meet You Halfway, performance, 2010
