Artwork

Andrew Salyer Reads Hannah Arendt
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Falling, performance, 2018
In Consideration of the Wall (red foam nose), gallery intervention, 2016
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
Void (after Yves Klein), digital photograph intervention, 2011
One Day
Attempt #45, 1 of 5
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
Thank You for the Storage Space, 1 of 4
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Shoot (Sans Burden), digital photograph intervention, 2012
On Constructing a Black Hole, 1 of 3
Waves Of Melancholy (lying on my left side), poem
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Attempt #45, 2 of 5
Here We Left It: A Dear Heart Dance Production, performance, 2010
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
On Constructing a Black Hole, 3 of 3
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Skin Flesh
Flood, color photograph, 2010
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
To Think of Things Impossible
Later that evening we gathered in the drawing room (installation)
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Color Photograph, 2012
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
On Attempting Negative Capability, performance/Installation, 2010
On Constructing a Black Hole, 2 of 3
Activist Art Exhibition Arendt Reading
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Comedy Routine, digital video, 2012
Untitled #1 (Waves), color photograph, 2016
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Lacuna (Conduit), digital video, 2009
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Lacuna (installation detail)
Theory and/or Practice (Self-Portrait) Photograph, 2019
Later that evening we gathered in the drawing room (photograph detail)
Public Intellectual (interactive website)
The Light That Never Goes Out Until It Does, sculpture, 2011
Yesterday (after On Kawara)
Double Void (BaldeKlein), manipulated digital photograph, 2011
Thank You for the Storage Space, 3 of 4
Lacuna (Conduit), installation, 2009
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Erased Rauschenberg Drawing, digital intervention, 2016
1 and 3 Plants, installation, 2008
Love Like Sponge
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Stand up, 2010
C, sculptural situation, 2010
Link to project: https://www.facebook.com/samephotoofandrewsalyereveryday
WEIRD WORD
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
What Does That Mean?
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Attempt #45, 3 of 5
Falling, performance, 2018
A Scene from the Future
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Standards & Rules
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Attempt #45, 2 of 5
Nothing Left to Make
Why am I smiling?
Thank You for the Storage Space, 4 of 4
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Trickle Down, sculptural situation, 2010
Concerning the Contemporary Landscape, photograph, 2015
Attempt #45, 4 of 5
SportsBall
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Lacuna (iceburg), sculpture, 2011
We Took Everything for Granted
I’ll Meet You Halfway, performance, 2010
Waves Of Melancholy (lying on my right side), poem
To Think of Things Impossible (detail)
TENTATIVE!
Thank You for the Storage Space, 2 of 4
Comedy Routine, digital video, 2012
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Attempt #45, 2 of 5
Waves Of Melancholy (lying on my right side), poem
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Public Intellectual (interactive website)
Later that evening we gathered in the drawing room (installation)
To Think of Things Impossible (detail)
Lacuna (Conduit), digital video, 2009
On Attempting Negative Capability, performance/Installation, 2010
Falling, performance, 2018
On Constructing a Black Hole, 3 of 3
Double Void (BaldeKlein), manipulated digital photograph, 2011
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Erased Rauschenberg Drawing, digital intervention, 2016
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Here We Left It: A Dear Heart Dance Production, performance, 2010
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Thank You for the Storage Space, 2 of 4
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Sharetopia, tumblr website
Attempt #45, 3 of 5
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Void (after Yves Klein), digital photograph intervention, 2011
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
To Think of Things Impossible
don’t forget to have a good time
The Great Fall, photograph, 2007
Falling, performance, 2018
On Constructing a Black Hole, 1 of 3
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Lacuna (installation detail)
Untitled (wave pile), 2012
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Thank You for the Storage Space, 1 of 4
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Later that evening we gathered in the drawing room (photograph detail)
Activist Art Exhibition Arendt Reading
Attempt #45, 4 of 5
Waves Of Melancholy (lying on my left side), poem
Flood, color photograph, 2010
C, sculptural situation, 2010
I’ll Meet You Halfway, performance, 2010
Trickle Down, sculptural situation, 2010
In Consideration of the Wall (red foam nose), gallery intervention, 2016
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Concerning the Contemporary Landscape, photograph, 2015
The Light That Never Goes Out Until It Does, sculpture, 2011
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
On Constructing a Black Hole, 2 of 3
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
Thank You for the Storage Space, 3 of 4
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Color Photograph, 2012
Attempt #45, 1 of 5
1 and 3 Plants, installation, 2008
Flood, color photograph, 2010
Untitled #1 (Waves), color photograph, 2016
Shoot (Sans Burden), digital photograph intervention, 2012
Thank You for the Storage Space, 4 of 4
Activist Art Exhibition Arendt Reading announcement, 2017
Lacuna (iceburg), sculpture, 2011
Attempt #45, 2 of 5
Stand up, 2010
Lacuna (Conduit), installation, 2009