Concerning the Contemporary Landscape, photograph, 2015
Double Void (BaldeKlein), manipulated digital photograph, 2011
Attempt #45, 2 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Thank You for the Storage Space, 3 of 4
Waves Of Melancholy (lying on my right side), poem
Falling, performance, 2018
Attempt #45, 3 of 5
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Here We Left It: A Dear Heart Dance Production, performance, 2010
Lacuna (iceburg), sculpture, 2011
Thank You for the Storage Space, 1 of 4
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Erased Rauschenberg Drawing, digital intervention, 2016
On Constructing a Black Hole, 1 of 3
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Comedy Routine, digital video, 2012
To Think of Things Impossible
On Constructing a Black Hole, 2 of 3
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Attempt #45, 1 of 5
I’ll Meet You Halfway, performance, 2010
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Public Intellectual (interactive website)
Activist Art Exhibition Arendt Reading
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Lacuna (installation detail)
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
In Consideration of the Wall (red foam nose), gallery intervention, 2016
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Untitled #1 (Waves), color photograph, 2016
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Attempt #45, 4 of 5
Thank You for the Storage Space, 2 of 4
To Think of Things Impossible (detail)
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
In Consideration of the Wall (red foam nose), gallery intervention, 2016
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Color Photograph, 2012
Shoot (Sans Burden), digital photograph intervention, 2012
Waves Of Melancholy (lying on my left side), poem
Attempt #45, 2 of 5
Lacuna (Conduit), installation, 2009
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
On Attempting Negative Capability, performance/Installation, 2010
Falling, performance, 2018
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Thank You for the Storage Space, 4 of 4
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Void (after Yves Klein), digital photograph intervention, 2011
Why am I smiling?
Later that evening we gathered in the drawing room (photograph detail)
Later that evening we gathered in the drawing room (installation)
Theory and/or Practice (Self-Portrait) Photograph, 2019
Flood, color photograph, 2010
Andrew Salyer Reads Hannah Arendt
On Constructing a Black Hole, 3 of 3
Lacuna (Conduit), digital video, 2009
Trickle Down, sculptural situation, 2010
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
The Light That Never Goes Out Until It Does, sculpture, 2011
C, sculptural situation, 2010
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
1 and 3 Plants, installation, 2008
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Stand up, 2010
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
In Consideration of the Wall (red foam nose), gallery intervention, 2016
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Stand up, 2010
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
I’ll Meet You Halfway, performance, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Shoot (Sans Burden), digital photograph intervention, 2012
Attempt #45, 2 of 5
Sharetopia, tumblr website
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Flood, color photograph, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Double Void (BaldeKlein), manipulated digital photograph, 2011
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Untitled #1 (Waves), color photograph, 2016
Here We Left It: A Dear Heart Dance Production, performance, 2010
To Think of Things Impossible (detail)
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
C, sculptural situation, 2010
In Consideration of the Wall (red foam nose), gallery intervention, 2016
don’t forget to have a good time
Falling, performance, 2018
Untitled (wave pile), 2012
Trickle Down, sculptural situation, 2010
Waves Of Melancholy (lying on my right side), poem
Activist Art Exhibition Arendt Reading
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Lacuna (iceburg), sculpture, 2011
Thank You for the Storage Space, 3 of 4
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
On Constructing a Black Hole, 3 of 3
Color Photograph, 2012
Waves Of Melancholy (lying on my left side), poem
Lacuna (installation detail)
Later that evening we gathered in the drawing room (photograph detail)
Thank You for the Storage Space, 2 of 4
1 and 3 Plants, installation, 2008
Thank You for the Storage Space, 4 of 4
Attempt #45, 2 of 5
Attempt #45, 1 of 5
To Think of Things Impossible
On Constructing a Black Hole, 2 of 3
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
On Attempting Negative Capability, performance/Installation, 2010
Flood, color photograph, 2010
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
The Great Fall, photograph, 2007
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Attempt #45, 3 of 5
Lacuna (Conduit), digital video, 2009
Later that evening we gathered in the drawing room (installation)
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Attempt #45, 4 of 5
The Light That Never Goes Out Until It Does, sculpture, 2011
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Lacuna (Conduit), installation, 2009
Comedy Routine, digital video, 2012
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Thank You for the Storage Space, 1 of 4
Erased Rauschenberg Drawing, digital intervention, 2016
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Falling, performance, 2018
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
On Constructing a Black Hole, 1 of 3
Public Intellectual (interactive website)
Void (after Yves Klein), digital photograph intervention, 2011
Concerning the Contemporary Landscape, photograph, 2015
Activist Art Exhibition Arendt Reading announcement, 2017
