Artwork

An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Later that evening we gathered in the drawing room (installation)
Activist Art Exhibition Arendt Reading
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Link to project: https://www.facebook.com/samephotoofandrewsalyereveryday
WEIRD WORD
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Thank You for the Storage Space, 4 of 4
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
To Think of Things Impossible
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
On Constructing a Black Hole, 3 of 3
Comedy Routine, digital video, 2012
Falling, performance, 2018
Double Void (BaldeKlein), manipulated digital photograph, 2011
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
We Took Everything for Granted
Nothing Left to Make
Lacuna (Conduit), installation, 2009
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
SportsBall
Lacuna (installation detail)
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Falling, performance, 2018
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Attempt #45, 1 of 5
A Scene from the Future
Void (after Yves Klein), digital photograph intervention, 2011
Standards & Rules
To Think of Things Impossible (detail)
TENTATIVE!
The Light That Never Goes Out Until It Does, sculpture, 2011
Thank You for the Storage Space, 3 of 4
One Day
Here We Left It: A Dear Heart Dance Production, performance, 2010
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Flood, color photograph, 2010
Theory and/or Practice (Self-Portrait) Photograph, 2019
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Why am I smiling?
Attempt #45, 2 of 5
Shoot (Sans Burden), digital photograph intervention, 2012
On Constructing a Black Hole, 2 of 3
What Does That Mean?
Attempt #45, 4 of 5
Waves Of Melancholy (lying on my left side), poem
1 and 3 Plants, installation, 2008
Lacuna (Conduit), digital video, 2009
Attempt #45, 3 of 5
Public Intellectual (interactive website)
Yesterday (after On Kawara)
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Trickle Down, sculptural situation, 2010
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
On Constructing a Black Hole, 1 of 3
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
Concerning the Contemporary Landscape, photograph, 2015
Thank You for the Storage Space, 2 of 4
Andrew Salyer Reads Hannah Arendt
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Waves Of Melancholy (lying on my right side), poem
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Attempt #45, 2 of 5
Color Photograph, 2012
Thank You for the Storage Space, 1 of 4
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Love Like Sponge
Untitled #1 (Waves), color photograph, 2016
Later that evening we gathered in the drawing room (photograph detail)
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Stand up, 2010
I’ll Meet You Halfway, performance, 2010
On Attempting Negative Capability, performance/Installation, 2010
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Erased Rauschenberg Drawing, digital intervention, 2016
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Lacuna (iceburg), sculpture, 2011
Skin Flesh
C, sculptural situation, 2010
Attempt #45, 2 of 5
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Flood, color photograph, 2010
Lacuna (installation detail)
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
Stand up, 2010
Thank You for the Storage Space, 2 of 4
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
To Think of Things Impossible (detail)
Erased Rauschenberg Drawing, digital intervention, 2016
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Trickle Down, sculptural situation, 2010
Color Photograph, 2012
Thank You for the Storage Space, 4 of 4
Double Void (BaldeKlein), manipulated digital photograph, 2011
Void (after Yves Klein), digital photograph intervention, 2011
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Lacuna (Conduit), installation, 2009
Attempt #45, 3 of 5
don’t forget to have a good time
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Concerning the Contemporary Landscape, photograph, 2015
Attempt #45, 2 of 5
Attempt #45, 4 of 5
On Constructing a Black Hole, 3 of 3
Here We Left It: A Dear Heart Dance Production, performance, 2010
Lacuna (iceburg), sculpture, 2011
The Great Fall, photograph, 2007
Shoot (Sans Burden), digital photograph intervention, 2012
To Think of Things Impossible
Flood, color photograph, 2010
Untitled #1 (Waves), color photograph, 2016
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Activist Art Exhibition Arendt Reading announcement, 2017
Falling, performance, 2018
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
C, sculptural situation, 2010
Activist Art Exhibition Arendt Reading
I’ll Meet You Halfway, performance, 2010
Thank You for the Storage Space, 3 of 4
Later that evening we gathered in the drawing room (photograph detail)
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Falling, performance, 2018
On Constructing a Black Hole, 1 of 3
Later that evening we gathered in the drawing room (installation)
On Attempting Negative Capability, performance/Installation, 2010
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Waves Of Melancholy (lying on my left side), poem
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Attempt #45, 1 of 5
Waves Of Melancholy (lying on my right side), poem
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Sharetopia, tumblr website
Public Intellectual (interactive website)
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
On Constructing a Black Hole, 2 of 3
The Light That Never Goes Out Until It Does, sculpture, 2011
1 and 3 Plants, installation, 2008
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Lacuna (Conduit), digital video, 2009
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Comedy Routine, digital video, 2012
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Untitled (wave pile), 2012
Thank You for the Storage Space, 1 of 4