Artwork

Love Like Sponge
Trickle Down, sculptural situation, 2010
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
I’ll Meet You Halfway, performance, 2010
One Day
Shoot (Sans Burden), digital photograph intervention, 2012
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Untitled #1 (Waves), color photograph, 2016
Lacuna (Conduit), installation, 2009
Attempt #45, 1 of 5
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Thank You for the Storage Space, 3 of 4
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Color Photograph, 2012
Attempt #45, 2 of 5
Later that evening we gathered in the drawing room (photograph detail)
We Took Everything for Granted
What Does That Mean?
WEIRD WORD
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Why am I smiling?
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Lacuna (iceburg), sculpture, 2011
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Double Void (BaldeKlein), manipulated digital photograph, 2011
C, sculptural situation, 2010
Flood, color photograph, 2010
On Constructing a Black Hole, 3 of 3
Link to project: https://www.facebook.com/samephotoofandrewsalyereveryday
Attempt #45, 4 of 5
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Falling, performance, 2018
On Constructing a Black Hole, 1 of 3
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Void (after Yves Klein), digital photograph intervention, 2011
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
On Attempting Negative Capability, performance/Installation, 2010
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Andrew Salyer Reads Hannah Arendt
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Standards & Rules
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Activist Art Exhibition Arendt Reading
SportsBall
1 and 3 Plants, installation, 2008
Attempt #45, 3 of 5
Yesterday (after On Kawara)
Thank You for the Storage Space, 1 of 4
To Think of Things Impossible (detail)
Concerning the Contemporary Landscape, photograph, 2015
Thank You for the Storage Space, 4 of 4
Waves Of Melancholy (lying on my right side), poem
Erased Rauschenberg Drawing, digital intervention, 2016
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Later that evening we gathered in the drawing room (installation)
Stand up, 2010
On Constructing a Black Hole, 2 of 3
Skin Flesh
A Scene from the Future
Falling, performance, 2018
Theory and/or Practice (Self-Portrait) Photograph, 2019
Comedy Routine, digital video, 2012
Attempt #45, 2 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Nothing Left to Make
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Lacuna (installation detail)
Here We Left It: A Dear Heart Dance Production, performance, 2010
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
TENTATIVE!
To Think of Things Impossible
Public Intellectual (interactive website)
Waves Of Melancholy (lying on my left side), poem
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
The Light That Never Goes Out Until It Does, sculpture, 2011
Lacuna (Conduit), digital video, 2009
Thank You for the Storage Space, 2 of 4
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
C, sculptural situation, 2010
Lacuna (Conduit), installation, 2009
Untitled #1 (Waves), color photograph, 2016
On Constructing a Black Hole, 2 of 3
Sharetopia, tumblr website
Activist Art Exhibition Arendt Reading
Waves Of Melancholy (lying on my right side), poem
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Trickle Down, sculptural situation, 2010
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Concerning the Contemporary Landscape, photograph, 2015
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Attempt #45, 2 of 5
Thank You for the Storage Space, 4 of 4
Activist Art Exhibition Arendt Reading announcement, 2017
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Flood, color photograph, 2010
Thank You for the Storage Space, 3 of 4
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Later that evening we gathered in the drawing room (photograph detail)
1 and 3 Plants, installation, 2008
Double Void (BaldeKlein), manipulated digital photograph, 2011
Void (after Yves Klein), digital photograph intervention, 2011
On Constructing a Black Hole, 3 of 3
Erased Rauschenberg Drawing, digital intervention, 2016
Thank You for the Storage Space, 2 of 4
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Comedy Routine, digital video, 2012
Shoot (Sans Burden), digital photograph intervention, 2012
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Falling, performance, 2018
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
The Light That Never Goes Out Until It Does, sculpture, 2011
Thank You for the Storage Space, 1 of 4
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Stand up, 2010
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
I’ll Meet You Halfway, performance, 2010
Here We Left It: A Dear Heart Dance Production, performance, 2010
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
On Constructing a Black Hole, 1 of 3
Public Intellectual (interactive website)
Falling, performance, 2018
Attempt #45, 2 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Attempt #45, 1 of 5
Lacuna (iceburg), sculpture, 2011
Untitled (wave pile), 2012
The Great Fall, photograph, 2007
Waves Of Melancholy (lying on my left side), poem
Lacuna (Conduit), digital video, 2009
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Later that evening we gathered in the drawing room (installation)
To Think of Things Impossible
don’t forget to have a good time
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Flood, color photograph, 2010
To Think of Things Impossible (detail)
Lacuna (installation detail)
Attempt #45, 4 of 5
On Attempting Negative Capability, performance/Installation, 2010
Color Photograph, 2012
In Consideration of the Wall (red foam nose), gallery intervention, 2016
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
Attempt #45, 3 of 5
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)