The Light That Never Goes Out Until It Does, sculpture, 2011
Theory and/or Practice (Self-Portrait) Photograph, 2019
Attempt #45, 4 of 5
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Shoot (Sans Burden), digital photograph intervention, 2012
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
On Constructing a Black Hole, 1 of 3
Trickle Down, sculptural situation, 2010
On Constructing a Black Hole, 2 of 3
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Why am I smiling?
Thank You for the Storage Space, 3 of 4
Lacuna (Conduit), installation, 2009
Andrew Salyer Reads Hannah Arendt
TENTATIVE!
A Scene from the Future
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
Waves Of Melancholy (lying on my left side), poem
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
I’ll Meet You Halfway, performance, 2010
Lacuna (Conduit), digital video, 2009
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
To Think of Things Impossible (detail)
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Activist Art Exhibition Arendt Reading
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Waves Of Melancholy (lying on my right side), poem
Attempt #45, 2 of 5
Attempt #45, 3 of 5
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
What Does That Mean?
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Flood, color photograph, 2010
One Day
On Constructing a Black Hole, 3 of 3
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Void (after Yves Klein), digital photograph intervention, 2011
Later that evening we gathered in the drawing room (photograph detail)
Erased Rauschenberg Drawing, digital intervention, 2016
SportsBall
Stand up, 2010
WEIRD WORD
Attempt #45, 1 of 5
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Here We Left It: A Dear Heart Dance Production, performance, 2010
Concerning the Contemporary Landscape, photograph, 2015
Public Intellectual (interactive website)
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Yesterday (after On Kawara)
Later that evening we gathered in the drawing room (installation)
Thank You for the Storage Space, 4 of 4
Falling, performance, 2018
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Nothing Left to Make
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
1 and 3 Plants, installation, 2008
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Lacuna (installation detail)
Standards & Rules
Double Void (BaldeKlein), manipulated digital photograph, 2011
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
On Attempting Negative Capability, performance/Installation, 2010
Falling, performance, 2018
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Lacuna (iceburg), sculpture, 2011
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
We Took Everything for Granted
Color Photograph, 2012
Thank You for the Storage Space, 2 of 4
To Think of Things Impossible
Untitled #1 (Waves), color photograph, 2016
To Think of Things Impossible (detail)
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Flood, color photograph, 2010
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
C, sculptural situation, 2010
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Color Photograph, 2012
Thank You for the Storage Space, 3 of 4
Attempt #45, 2 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Stand up, 2010
In Consideration of the Wall (red foam nose), gallery intervention, 2016
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
don’t forget to have a good time
Trickle Down, sculptural situation, 2010
Comedy Routine, digital video, 2012
Double Void (BaldeKlein), manipulated digital photograph, 2011
Erased Rauschenberg Drawing, digital intervention, 2016
Attempt #45, 1 of 5
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Lacuna (iceburg), sculpture, 2011
Thank You for the Storage Space, 4 of 4
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
Falling, performance, 2018
Waves Of Melancholy (lying on my left side), poem
Attempt #45, 2 of 5
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Attempt #45, 3 of 5
The Light That Never Goes Out Until It Does, sculpture, 2011
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Activist Art Exhibition Arendt Reading announcement, 2017
On Constructing a Black Hole, 3 of 3
Later that evening we gathered in the drawing room (photograph detail)
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Shoot (Sans Burden), digital photograph intervention, 2012
To Think of Things Impossible
Sharetopia, tumblr website
Untitled (wave pile), 2012
Flood, color photograph, 2010
Public Intellectual (interactive website)
Here We Left It: A Dear Heart Dance Production, performance, 2010
On Attempting Negative Capability, performance/Installation, 2010
1 and 3 Plants, installation, 2008
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Lacuna (Conduit), digital video, 2009
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Thank You for the Storage Space, 2 of 4
The Great Fall, photograph, 2007
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
On Constructing a Black Hole, 1 of 3
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Concerning the Contemporary Landscape, photograph, 2015
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Waves Of Melancholy (lying on my right side), poem
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Falling, performance, 2018
In Consideration of the Wall (red foam nose), gallery intervention, 2016