Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
The Light That Never Goes Out Until It Does, sculpture, 2011
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Concerning the Contemporary Landscape, photograph, 2015
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Trickle Down, sculptural situation, 2010
Lacuna (Conduit), digital video, 2009
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Later that evening we gathered in the drawing room (installation)
On Constructing a Black Hole, 3 of 3
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Falling, performance, 2018
Waves Of Melancholy (lying on my right side), poem
Shoot (Sans Burden), digital photograph intervention, 2012
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Lacuna (Conduit), installation, 2009
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
In Consideration of the Wall (red foam nose), gallery intervention, 2016
On Attempting Negative Capability, performance/Installation, 2010
Lacuna (iceburg), sculpture, 2011
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Activist Art Exhibition Arendt Reading
Lacuna (installation detail)
To Think of Things Impossible
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Attempt #45, 2 of 5
On Constructing a Black Hole, 2 of 3
Theory and/or Practice (Self-Portrait) Photograph, 2019
Falling, performance, 2018
Why am I smiling?
Later that evening we gathered in the drawing room (photograph detail)
Andrew Salyer Reads Hannah Arendt
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Untitled #1 (Waves), color photograph, 2016
Thank You for the Storage Space, 3 of 4
To Think of Things Impossible (detail)
1 and 3 Plants, installation, 2008
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Comedy Routine, digital video, 2012
Attempt #45, 4 of 5
Erased Rauschenberg Drawing, digital intervention, 2016
On Constructing a Black Hole, 1 of 3
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Thank You for the Storage Space, 2 of 4
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Color Photograph, 2012
Public Intellectual (interactive website)
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Here We Left It: A Dear Heart Dance Production, performance, 2010
Double Void (BaldeKlein), manipulated digital photograph, 2011
Attempt #45, 3 of 5
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Thank You for the Storage Space, 4 of 4
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
Flood, color photograph, 2010
I’ll Meet You Halfway, performance, 2010
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Thank You for the Storage Space, 1 of 4
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
C, sculptural situation, 2010
Attempt #45, 1 of 5
Void (after Yves Klein), digital photograph intervention, 2011
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Stand up, 2010
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Attempt #45, 2 of 5
Waves Of Melancholy (lying on my left side), poem
Later that evening we gathered in the drawing room (installation)
On Constructing a Black Hole, 3 of 3
To Think of Things Impossible (detail)
Lacuna (installation detail)
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
don’t forget to have a good time
On Constructing a Black Hole, 2 of 3
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
1 and 3 Plants, installation, 2008
Untitled (wave pile), 2012
Erased Rauschenberg Drawing, digital intervention, 2016
The Great Fall, photograph, 2007
Concerning the Contemporary Landscape, photograph, 2015
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Attempt #45, 4 of 5
Double Void (BaldeKlein), manipulated digital photograph, 2011
Flood, color photograph, 2010
Attempt #45, 3 of 5
Attempt #45, 1 of 5
Trickle Down, sculptural situation, 2010
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Shoot (Sans Burden), digital photograph intervention, 2012
Thank You for the Storage Space, 2 of 4
The Light That Never Goes Out Until It Does, sculpture, 2011
Untitled #1 (Waves), color photograph, 2016
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Attempt #45, 2 of 5
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Sharetopia, tumblr website
I’ll Meet You Halfway, performance, 2010
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Flood, color photograph, 2010
Falling, performance, 2018
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Lacuna (Conduit), installation, 2009
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Waves Of Melancholy (lying on my right side), poem
To Think of Things Impossible
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Attempt #45, 2 of 5
On Attempting Negative Capability, performance/Installation, 2010
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Waves Of Melancholy (lying on my left side), poem
Falling, performance, 2018
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Activist Art Exhibition Arendt Reading announcement, 2017
Later that evening we gathered in the drawing room (photograph detail)
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Void (after Yves Klein), digital photograph intervention, 2011
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Activist Art Exhibition Arendt Reading
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Lacuna (iceburg), sculpture, 2011
Here We Left It: A Dear Heart Dance Production, performance, 2010
On Constructing a Black Hole, 1 of 3
Public Intellectual (interactive website)
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
C, sculptural situation, 2010
Stand up, 2010
Thank You for the Storage Space, 1 of 4
Thank You for the Storage Space, 4 of 4
Comedy Routine, digital video, 2012
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Color Photograph, 2012
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Thank You for the Storage Space, 3 of 4
Lacuna (Conduit), digital video, 2009
