An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Double Void (BaldeKlein), manipulated digital photograph, 2011
Erased Rauschenberg Drawing, digital intervention, 2016
Public Intellectual (interactive website)
To Think of Things Impossible (detail)
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Attempt #45, 4 of 5
Lacuna (Conduit), installation, 2009
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Thank You for the Storage Space, 1 of 4
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
On Constructing a Black Hole, 1 of 3
Thank You for the Storage Space, 3 of 4
Waves Of Melancholy (lying on my right side), poem
Waves Of Melancholy (lying on my left side), poem
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Thank You for the Storage Space, 4 of 4
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Lacuna (installation detail)
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Concerning the Contemporary Landscape, photograph, 2015
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Stand up, 2010
Activist Art Exhibition Arendt Reading
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Theory and/or Practice (Self-Portrait) Photograph, 2019
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Later that evening we gathered in the drawing room (photograph detail)
Attempt #45, 1 of 5
On Constructing a Black Hole, 2 of 3
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Lacuna (iceburg), sculpture, 2011
1 and 3 Plants, installation, 2008
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Why am I smiling?
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
On Attempting Negative Capability, performance/Installation, 2010
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
I’ll Meet You Halfway, performance, 2010
Attempt #45, 2 of 5
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
Later that evening we gathered in the drawing room (installation)
Lacuna (Conduit), digital video, 2009
Attempt #45, 2 of 5
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Falling, performance, 2018
Flood, color photograph, 2010
Falling, performance, 2018
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Untitled #1 (Waves), color photograph, 2016
To Think of Things Impossible
Comedy Routine, digital video, 2012
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Void (after Yves Klein), digital photograph intervention, 2011
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Andrew Salyer Reads Hannah Arendt
The Light That Never Goes Out Until It Does, sculpture, 2011
Thank You for the Storage Space, 2 of 4
On Constructing a Black Hole, 3 of 3
Here We Left It: A Dear Heart Dance Production, performance, 2010
Trickle Down, sculptural situation, 2010
C, sculptural situation, 2010
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Attempt #45, 3 of 5
Color Photograph, 2012
Shoot (Sans Burden), digital photograph intervention, 2012
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
The Light That Never Goes Out Until It Does, sculpture, 2011
Later that evening we gathered in the drawing room (photograph detail)
Stand up, 2010
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Double Void (BaldeKlein), manipulated digital photograph, 2011
Flood, color photograph, 2010
Thank You for the Storage Space, 2 of 4
Attempt #45, 1 of 5
Untitled (wave pile), 2012
On Constructing a Black Hole, 1 of 3
Attempt #45, 4 of 5
Attempt #45, 2 of 5
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Later that evening we gathered in the drawing room (installation)
I’ll Meet You Halfway, performance, 2010
C, sculptural situation, 2010
Untitled #1 (Waves), color photograph, 2016
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Void (after Yves Klein), digital photograph intervention, 2011
To Think of Things Impossible
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
Lacuna (Conduit), digital video, 2009
1 and 3 Plants, installation, 2008
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
don’t forget to have a good time
The Great Fall, photograph, 2007
Comedy Routine, digital video, 2012
Lacuna (installation detail)
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Erased Rauschenberg Drawing, digital intervention, 2016
Shoot (Sans Burden), digital photograph intervention, 2012
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Waves Of Melancholy (lying on my left side), poem
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Here We Left It: A Dear Heart Dance Production, performance, 2010
Concerning the Contemporary Landscape, photograph, 2015
On Constructing a Black Hole, 2 of 3
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Lacuna (iceburg), sculpture, 2011
Public Intellectual (interactive website)
To Think of Things Impossible (detail)
Waves Of Melancholy (lying on my right side), poem
Sharetopia, tumblr website
Thank You for the Storage Space, 3 of 4
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Thank You for the Storage Space, 4 of 4
Activist Art Exhibition Arendt Reading
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Attempt #45, 2 of 5
Thank You for the Storage Space, 1 of 4
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
On Attempting Negative Capability, performance/Installation, 2010
Trickle Down, sculptural situation, 2010
Lacuna (Conduit), installation, 2009
On Constructing a Black Hole, 3 of 3
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Flood, color photograph, 2010
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Color Photograph, 2012
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
In Consideration of the Wall (red foam nose), gallery intervention, 2016
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Falling, performance, 2018
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Activist Art Exhibition Arendt Reading announcement, 2017
Falling, performance, 2018
Attempt #45, 3 of 5
