Artwork

Thank You for the Storage Space, 2 of 4
Flood, color photograph, 2010
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Attempt #45, 3 of 5
Lacuna (Conduit), digital video, 2009
Color Photograph, 2012
Yesterday (after On Kawara)
Attempt #45, 1 of 5
Trickle Down, sculptural situation, 2010
A Scene from the Future
Concerning the Contemporary Landscape, photograph, 2015
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
On Constructing a Black Hole, 3 of 3
Waves Of Melancholy (lying on my right side), poem
Public Intellectual (interactive website)
Comedy Routine, digital video, 2012
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Lacuna (Conduit), installation, 2009
C, sculptural situation, 2010
Void (after Yves Klein), digital photograph intervention, 2011
Here We Left It: A Dear Heart Dance Production, performance, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
To Think of Things Impossible (detail)
On Constructing a Black Hole, 2 of 3
TENTATIVE!
Falling, performance, 2018
Link to project: https://www.facebook.com/samephotoofandrewsalyereveryday
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
The Light That Never Goes Out Until It Does, sculpture, 2011
Later that evening we gathered in the drawing room (installation)
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
WEIRD WORD
Falling, performance, 2018
Erased Rauschenberg Drawing, digital intervention, 2016
Untitled #1 (Waves), color photograph, 2016
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
On Constructing a Black Hole, 1 of 3
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Later that evening we gathered in the drawing room (photograph detail)
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Love Like Sponge
Standards & Rules
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
We Took Everything for Granted
Shoot (Sans Burden), digital photograph intervention, 2012
Skin Flesh
Theory and/or Practice (Self-Portrait) Photograph, 2019
Attempt #45, 4 of 5
Waves Of Melancholy (lying on my left side), poem
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Lacuna (iceburg), sculpture, 2011
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Thank You for the Storage Space, 1 of 4
In Consideration of the Wall (red foam nose), gallery intervention, 2016
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Nothing Left to Make
1 and 3 Plants, installation, 2008
Attempt #45, 2 of 5
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
One Day
Thank You for the Storage Space, 4 of 4
Double Void (BaldeKlein), manipulated digital photograph, 2011
Stand up, 2010
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Attempt #45, 2 of 5
I’ll Meet You Halfway, performance, 2010
Lacuna (installation detail)
Why am I smiling?
SportsBall
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
On Attempting Negative Capability, performance/Installation, 2010
To Think of Things Impossible
Activist Art Exhibition Arendt Reading
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Andrew Salyer Reads Hannah Arendt
Thank You for the Storage Space, 3 of 4
What Does That Mean?
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Activist Art Exhibition Arendt Reading announcement, 2017
On Attempting Negative Capability, performance/Installation, 2010
On Constructing a Black Hole, 2 of 3
Thank You for the Storage Space, 3 of 4
C, sculptural situation, 2010
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Untitled #1 (Waves), color photograph, 2016
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Thank You for the Storage Space, 2 of 4
Activist Art Exhibition Arendt Reading
In Consideration of the Wall (red foam nose), gallery intervention, 2016
don’t forget to have a good time
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Untitled (wave pile), 2012
Void (after Yves Klein), digital photograph intervention, 2011
Public Intellectual (interactive website)
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
To Think of Things Impossible
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Lacuna (iceburg), sculpture, 2011
Waves Of Melancholy (lying on my left side), poem
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Erased Rauschenberg Drawing, digital intervention, 2016
Attempt #45, 1 of 5
Lacuna (installation detail)
Lacuna (Conduit), installation, 2009
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
On Constructing a Black Hole, 3 of 3
Attempt #45, 3 of 5
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Waves Of Melancholy (lying on my right side), poem
Concerning the Contemporary Landscape, photograph, 2015
Attempt #45, 2 of 5
Falling, performance, 2018
Flood, color photograph, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Sharetopia, tumblr website
Attempt #45, 2 of 5
On Constructing a Black Hole, 1 of 3
Trickle Down, sculptural situation, 2010
Flood, color photograph, 2010
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Attempt #45, 4 of 5
1 and 3 Plants, installation, 2008
Color Photograph, 2012
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
The Great Fall, photograph, 2007
Lacuna (Conduit), digital video, 2009
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
To Think of Things Impossible (detail)
Shoot (Sans Burden), digital photograph intervention, 2012
Falling, performance, 2018
Later that evening we gathered in the drawing room (photograph detail)
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Stand up, 2010
Thank You for the Storage Space, 1 of 4
Here We Left It: A Dear Heart Dance Production, performance, 2010
Thank You for the Storage Space, 4 of 4
The Light That Never Goes Out Until It Does, sculpture, 2011
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Double Void (BaldeKlein), manipulated digital photograph, 2011
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Later that evening we gathered in the drawing room (installation)
I’ll Meet You Halfway, performance, 2010
Comedy Routine, digital video, 2012