Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Later that evening we gathered in the drawing room (photograph detail)
Thank You for the Storage Space, 1 of 4
Falling, performance, 2018
To Think of Things Impossible
Erased Rauschenberg Drawing, digital intervention, 2016
Trickle Down, sculptural situation, 2010
On Constructing a Black Hole, 2 of 3
Thank You for the Storage Space, 2 of 4
1 and 3 Plants, installation, 2008
Lacuna (Conduit), installation, 2009
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
To Think of Things Impossible (detail)
Waves Of Melancholy (lying on my right side), poem
Attempt #45, 2 of 5
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Attempt #45, 2 of 5
Lacuna (installation detail)
Attempt #45, 3 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Shoot (Sans Burden), digital photograph intervention, 2012
Here We Left It: A Dear Heart Dance Production, performance, 2010
Thank You for the Storage Space, 4 of 4
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Comedy Routine, digital video, 2012
Color Photograph, 2012
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
The Light That Never Goes Out Until It Does, sculpture, 2011
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Waves Of Melancholy (lying on my left side), poem
In Consideration of the Wall (red foam nose), gallery intervention, 2016
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
On Attempting Negative Capability, performance/Installation, 2010
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Concerning the Contemporary Landscape, photograph, 2015
Thank You for the Storage Space, 3 of 4
Public Intellectual (interactive website)
Void (after Yves Klein), digital photograph intervention, 2011
C, sculptural situation, 2010
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
Later that evening we gathered in the drawing room (installation)
On Constructing a Black Hole, 1 of 3
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
Activist Art Exhibition Arendt Reading
Theory and/or Practice (Self-Portrait) Photograph, 2019
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Double Void (BaldeKlein), manipulated digital photograph, 2011
On Constructing a Black Hole, 3 of 3
Stand up, 2010
Why am I smiling?
Falling, performance, 2018
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Attempt #45, 4 of 5
In Consideration of the Wall (red foam nose), gallery intervention, 2016
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Untitled #1 (Waves), color photograph, 2016
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Andrew Salyer Reads Hannah Arendt
Flood, color photograph, 2010
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Attempt #45, 1 of 5
Lacuna (iceburg), sculpture, 2011
I’ll Meet You Halfway, performance, 2010
Lacuna (Conduit), digital video, 2009
1 and 3 Plants, installation, 2008
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
The Light That Never Goes Out Until It Does, sculpture, 2011
To Think of Things Impossible (detail)
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Activist Art Exhibition Arendt Reading announcement, 2017
Public Intellectual (interactive website)
Lacuna (Conduit), installation, 2009
Stand up, 2010
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Comedy Routine, digital video, 2012
On Constructing a Black Hole, 3 of 3
Falling, performance, 2018
The Great Fall, photograph, 2007
I’ll Meet You Halfway, performance, 2010
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Double Void (BaldeKlein), manipulated digital photograph, 2011
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Attempt #45, 2 of 5
Trickle Down, sculptural situation, 2010
Lacuna (installation detail)
Untitled #1 (Waves), color photograph, 2016
Erased Rauschenberg Drawing, digital intervention, 2016
Attempt #45, 3 of 5
Thank You for the Storage Space, 4 of 4
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
On Constructing a Black Hole, 2 of 3
Activist Art Exhibition Arendt Reading
Waves Of Melancholy (lying on my right side), poem
Flood, color photograph, 2010
C, sculptural situation, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Attempt #45, 4 of 5
Waves Of Melancholy (lying on my left side), poem
Later that evening we gathered in the drawing room (installation)
Shoot (Sans Burden), digital photograph intervention, 2012
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Sharetopia, tumblr website
Void (after Yves Klein), digital photograph intervention, 2011
Thank You for the Storage Space, 1 of 4
Later that evening we gathered in the drawing room (photograph detail)
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
On Attempting Negative Capability, performance/Installation, 2010
Here We Left It: A Dear Heart Dance Production, performance, 2010
Attempt #45, 1 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Concerning the Contemporary Landscape, photograph, 2015
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Thank You for the Storage Space, 2 of 4
Flood, color photograph, 2010
To Think of Things Impossible
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Untitled (wave pile), 2012
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
On Constructing a Black Hole, 1 of 3
don’t forget to have a good time
Lacuna (Conduit), digital video, 2009
Falling, performance, 2018
Thank You for the Storage Space, 3 of 4
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Color Photograph, 2012
Lacuna (iceburg), sculpture, 2011
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Attempt #45, 2 of 5
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
