Artwork

Thank You for the Storage Space, 3 of 4
Later that evening we gathered in the drawing room (installation)
Falling, performance, 2018
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
On Constructing a Black Hole, 1 of 3
I’ll Meet You Halfway, performance, 2010
On Attempting Negative Capability, performance/Installation, 2010
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Attempt #45, 4 of 5
Erased Rauschenberg Drawing, digital intervention, 2016
Attempt #45, 2 of 5
To Think of Things Impossible
What Does That Mean?
Link to project: https://www.facebook.com/samephotoofandrewsalyereveryday
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Color Photograph, 2012
Double Void (BaldeKlein), manipulated digital photograph, 2011
Activist Art Exhibition Arendt Reading
Falling, performance, 2018
Andrew Salyer Reads Hannah Arendt
Thank You for the Storage Space, 4 of 4
Stand up, 2010
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Trickle Down, sculptural situation, 2010
Public Intellectual (interactive website)
Waves Of Melancholy (lying on my left side), poem
Attempt #45, 3 of 5
On Constructing a Black Hole, 3 of 3
On Constructing a Black Hole, 2 of 3
Lacuna (installation detail)
Nothing Left to Make
Shoot (Sans Burden), digital photograph intervention, 2012
Void (after Yves Klein), digital photograph intervention, 2011
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Why am I smiling?
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Later that evening we gathered in the drawing room (photograph detail)
Lacuna (Conduit), digital video, 2009
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Yesterday (after On Kawara)
We Took Everything for Granted
Lacuna (iceburg), sculpture, 2011
Theory and/or Practice (Self-Portrait) Photograph, 2019
Comedy Routine, digital video, 2012
The Light That Never Goes Out Until It Does, sculpture, 2011
C, sculptural situation, 2010
WEIRD WORD
Here We Left It: A Dear Heart Dance Production, performance, 2010
Thank You for the Storage Space, 1 of 4
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Concerning the Contemporary Landscape, photograph, 2015
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Flood, color photograph, 2010
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
1 and 3 Plants, installation, 2008
A Scene from the Future
Attempt #45, 1 of 5
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Standards & Rules
Attempt #45, 2 of 5
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Lacuna (Conduit), installation, 2009
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
TENTATIVE!
Waves Of Melancholy (lying on my right side), poem
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Love Like Sponge
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
To Think of Things Impossible (detail)
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
SportsBall
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Thank You for the Storage Space, 2 of 4
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Skin Flesh
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
One Day
Untitled #1 (Waves), color photograph, 2016
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Activist Art Exhibition Arendt Reading announcement, 2017
Lacuna (Conduit), installation, 2009
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
To Think of Things Impossible (detail)
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
On Constructing a Black Hole, 2 of 3
To Think of Things Impossible
On Constructing a Black Hole, 3 of 3
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Thank You for the Storage Space, 2 of 4
Activist Art Exhibition Arendt Reading
Lacuna (Conduit), digital video, 2009
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Attempt #45, 4 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
The Great Fall, photograph, 2007
Attempt #45, 1 of 5
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
C, sculptural situation, 2010
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Thank You for the Storage Space, 1 of 4
Shoot (Sans Burden), digital photograph intervention, 2012
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
On Attempting Negative Capability, performance/Installation, 2010
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Waves Of Melancholy (lying on my right side), poem
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Lacuna (installation detail)
Falling, performance, 2018
Untitled (wave pile), 2012
Attempt #45, 2 of 5
In Consideration of the Wall (red foam nose), gallery intervention, 2016
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Here We Left It: A Dear Heart Dance Production, performance, 2010
Later that evening we gathered in the drawing room (photograph detail)
Thank You for the Storage Space, 4 of 4
Comedy Routine, digital video, 2012
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
1 and 3 Plants, installation, 2008
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Waves Of Melancholy (lying on my left side), poem
Untitled #1 (Waves), color photograph, 2016
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Trickle Down, sculptural situation, 2010
Stand up, 2010
Concerning the Contemporary Landscape, photograph, 2015
I’ll Meet You Halfway, performance, 2010
The Light That Never Goes Out Until It Does, sculpture, 2011
Erased Rauschenberg Drawing, digital intervention, 2016
Double Void (BaldeKlein), manipulated digital photograph, 2011
Sharetopia, tumblr website
Flood, color photograph, 2010
Later that evening we gathered in the drawing room (installation)
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Attempt #45, 2 of 5
Thank You for the Storage Space, 3 of 4
On Constructing a Black Hole, 1 of 3
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Flood, color photograph, 2010
Public Intellectual (interactive website)
Color Photograph, 2012
Falling, performance, 2018
Attempt #45, 3 of 5
Lacuna (iceburg), sculpture, 2011
In Consideration of the Wall (red foam nose), gallery intervention, 2016
don’t forget to have a good time
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Void (after Yves Klein), digital photograph intervention, 2011