Lacuna (iceburg), sculpture, 2011
Color Photograph, 2012
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Waves Of Melancholy (lying on my left side), poem
Lacuna (installation detail)
Waves Of Melancholy (lying on my right side), poem
Lacuna (Conduit), digital video, 2009
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Concerning the Contemporary Landscape, photograph, 2015
On Constructing a Black Hole, 1 of 3
On Attempting Negative Capability, performance/Installation, 2010
Public Intellectual (interactive website)
Erased Rauschenberg Drawing, digital intervention, 2016
In Consideration of the Wall (red foam nose), gallery intervention, 2016
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Double Void (BaldeKlein), manipulated digital photograph, 2011
Attempt #45, 1 of 5
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
1 and 3 Plants, installation, 2008
Activist Art Exhibition Arendt Reading
To Think of Things Impossible
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
Void (after Yves Klein), digital photograph intervention, 2011
On Constructing a Black Hole, 3 of 3
Theory and/or Practice (Self-Portrait) Photograph, 2019
Attempt #45, 2 of 5
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
The Light That Never Goes Out Until It Does, sculpture, 2011
Later that evening we gathered in the drawing room (photograph detail)
Comedy Routine, digital video, 2012
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Here We Left It: A Dear Heart Dance Production, performance, 2010
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
C, sculptural situation, 2010
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Thank You for the Storage Space, 3 of 4
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Andrew Salyer Reads Hannah Arendt
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Thank You for the Storage Space, 4 of 4
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Falling, performance, 2018
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
I’ll Meet You Halfway, performance, 2010
Falling, performance, 2018
Lacuna (Conduit), installation, 2009
Attempt #45, 4 of 5
Why am I smiling?
To Think of Things Impossible (detail)
Attempt #45, 3 of 5
Thank You for the Storage Space, 1 of 4
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Later that evening we gathered in the drawing room (installation)
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Trickle Down, sculptural situation, 2010
Thank You for the Storage Space, 2 of 4
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Stand up, 2010
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Untitled #1 (Waves), color photograph, 2016
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
On Constructing a Black Hole, 2 of 3
Attempt #45, 2 of 5
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Flood, color photograph, 2010
Shoot (Sans Burden), digital photograph intervention, 2012
Thank You for the Storage Space, 4 of 4
To Think of Things Impossible (detail)
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Flood, color photograph, 2010
Concerning the Contemporary Landscape, photograph, 2015
Flood, color photograph, 2010
Stand up, 2010
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Thank You for the Storage Space, 2 of 4
Here We Left It: A Dear Heart Dance Production, performance, 2010
Activist Art Exhibition Arendt Reading
On Attempting Negative Capability, performance/Installation, 2010
To Think of Things Impossible
Sharetopia, tumblr website
On Constructing a Black Hole, 1 of 3
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
The Light That Never Goes Out Until It Does, sculpture, 2011
Activist Art Exhibition Arendt Reading announcement, 2017
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Later that evening we gathered in the drawing room (installation)
Thank You for the Storage Space, 3 of 4
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Attempt #45, 2 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
don’t forget to have a good time
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
Untitled #1 (Waves), color photograph, 2016
Public Intellectual (interactive website)
Falling, performance, 2018
On Constructing a Black Hole, 2 of 3
Void (after Yves Klein), digital photograph intervention, 2011
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Trickle Down, sculptural situation, 2010
Thank You for the Storage Space, 1 of 4
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Lacuna (Conduit), digital video, 2009
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Double Void (BaldeKlein), manipulated digital photograph, 2011
Attempt #45, 2 of 5
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Lacuna (iceburg), sculpture, 2011
Waves Of Melancholy (lying on my right side), poem
Erased Rauschenberg Drawing, digital intervention, 2016
Untitled (wave pile), 2012
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Shoot (Sans Burden), digital photograph intervention, 2012
Attempt #45, 4 of 5
Lacuna (Conduit), installation, 2009
Lacuna (installation detail)
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
1 and 3 Plants, installation, 2008
Falling, performance, 2018
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
On Constructing a Black Hole, 3 of 3
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
C, sculptural situation, 2010
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
I’ll Meet You Halfway, performance, 2010
The Great Fall, photograph, 2007
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Attempt #45, 1 of 5
Color Photograph, 2012
Later that evening we gathered in the drawing room (photograph detail)
Comedy Routine, digital video, 2012
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Attempt #45, 3 of 5
Waves Of Melancholy (lying on my left side), poem
