It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
On Constructing a Black Hole, 3 of 3
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Falling, performance, 2018
1 and 3 Plants, installation, 2008
C, sculptural situation, 2010
Falling, performance, 2018
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
To Think of Things Impossible
Lacuna (Conduit), digital video, 2009
Untitled #1 (Waves), color photograph, 2016
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Public Intellectual (interactive website)
Later that evening we gathered in the drawing room (installation)
Waves Of Melancholy (lying on my left side), poem
Sharetopia, tumblr website
Erased Rauschenberg Drawing, digital intervention, 2016
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Stand up, 2010
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Lacuna (Conduit), installation, 2009
Lacuna (iceburg), sculpture, 2011
Attempt #45, 2 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Later that evening we gathered in the drawing room (photograph detail)
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
don’t forget to have a good time
Color Photograph, 2012
The Great Fall, photograph, 2007
On Constructing a Black Hole, 2 of 3
Void (after Yves Klein), digital photograph intervention, 2011
Activist Art Exhibition Arendt Reading announcement, 2017
Attempt #45, 1 of 5
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Here We Left It: A Dear Heart Dance Production, performance, 2010
To Think of Things Impossible (detail)
Double Void (BaldeKlein), manipulated digital photograph, 2011
Concerning the Contemporary Landscape, photograph, 2015
On Attempting Negative Capability, performance/Installation, 2010
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Lacuna (installation detail)
Waves Of Melancholy (lying on my right side), poem
Flood, color photograph, 2010
Thank You for the Storage Space, 4 of 4
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Untitled (wave pile), 2012
Comedy Routine, digital video, 2012
Activist Art Exhibition Arendt Reading
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Thank You for the Storage Space, 3 of 4
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Attempt #45, 4 of 5
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Attempt #45, 3 of 5
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
The Light That Never Goes Out Until It Does, sculpture, 2011
I’ll Meet You Halfway, performance, 2010
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Shoot (Sans Burden), digital photograph intervention, 2012
Trickle Down, sculptural situation, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
On Constructing a Black Hole, 1 of 3
Attempt #45, 2 of 5
Thank You for the Storage Space, 2 of 4
Flood, color photograph, 2010
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
Thank You for the Storage Space, 1 of 4
