Artwork

Shoot (Sans Burden), digital photograph intervention, 2012
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Concerning the Contemporary Landscape, photograph, 2015
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Theory and/or Practice (Self-Portrait) Photograph, 2019
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Falling, performance, 2018
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Lacuna (iceburg), sculpture, 2011
Lacuna (installation detail)
Why am I smiling?
Void (after Yves Klein), digital photograph intervention, 2011
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Stand up, 2010
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Lacuna (Conduit), digital video, 2009
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
To Think of Things Impossible (detail)
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
1 and 3 Plants, installation, 2008
Falling, performance, 2018
On Constructing a Black Hole, 3 of 3
Lacuna (Conduit), installation, 2009
Waves Of Melancholy (lying on my right side), poem
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Color Photograph, 2012
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Trickle Down, sculptural situation, 2010
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
I’ll Meet You Halfway, performance, 2010
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Waves Of Melancholy (lying on my left side), poem
Yesterday (after On Kawara)
On Constructing a Black Hole, 1 of 3
What Does That Mean?
To Think of Things Impossible
A Scene from the Future
Activist Art Exhibition Arendt Reading
Untitled #1 (Waves), color photograph, 2016
Later that evening we gathered in the drawing room (installation)
Thank You for the Storage Space, 3 of 4
Attempt #45, 4 of 5
On Attempting Negative Capability, performance/Installation, 2010
In Consideration of the Wall (red foam nose), gallery intervention, 2016
On Constructing a Black Hole, 2 of 3
TENTATIVE!
WEIRD WORD
Attempt #45, 2 of 5
Double Void (BaldeKlein), manipulated digital photograph, 2011
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Flood, color photograph, 2010
Public Intellectual (interactive website)
Thank You for the Storage Space, 4 of 4
Attempt #45, 2 of 5
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Standards & Rules
Nothing Left to Make
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
C, sculptural situation, 2010
Link to project: https://www.facebook.com/samephotoofandrewsalyereveryday
We Took Everything for Granted
One Day
Attempt #45, 1 of 5
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
The Light That Never Goes Out Until It Does, sculpture, 2011
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Love Like Sponge
Here We Left It: A Dear Heart Dance Production, performance, 2010
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Later that evening we gathered in the drawing room (photograph detail)
Attempt #45, 3 of 5
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Skin Flesh
SportsBall
Erased Rauschenberg Drawing, digital intervention, 2016
Thank You for the Storage Space, 2 of 4
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Andrew Salyer Reads Hannah Arendt
Thank You for the Storage Space, 1 of 4
Comedy Routine, digital video, 2012
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
To Think of Things Impossible
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
1 and 3 Plants, installation, 2008
Activist Art Exhibition Arendt Reading
Falling, performance, 2018
The Great Fall, photograph, 2007
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Later that evening we gathered in the drawing room (photograph detail)
Trickle Down, sculptural situation, 2010
On Constructing a Black Hole, 2 of 3
Waves Of Melancholy (lying on my right side), poem
Double Void (BaldeKlein), manipulated digital photograph, 2011
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Lacuna (Conduit), digital video, 2009
Activist Art Exhibition Arendt Reading announcement, 2017
Attempt #45, 1 of 5
Flood, color photograph, 2010
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
I’ll Meet You Halfway, performance, 2010
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Attempt #45, 4 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Stand up, 2010
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Lacuna (installation detail)
Attempt #45, 3 of 5
On Constructing a Black Hole, 1 of 3
Falling, performance, 2018
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Thank You for the Storage Space, 3 of 4
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Void (after Yves Klein), digital photograph intervention, 2011
Thank You for the Storage Space, 1 of 4
Thank You for the Storage Space, 4 of 4
Lacuna (Conduit), installation, 2009
Lacuna (iceburg), sculpture, 2011
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
don’t forget to have a good time
Thank You for the Storage Space, 2 of 4
On Constructing a Black Hole, 3 of 3
Waves Of Melancholy (lying on my left side), poem
Erased Rauschenberg Drawing, digital intervention, 2016
Attempt #45, 2 of 5
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Comedy Routine, digital video, 2012
Public Intellectual (interactive website)
To Think of Things Impossible (detail)
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Sharetopia, tumblr website
Here We Left It: A Dear Heart Dance Production, performance, 2010
The Light That Never Goes Out Until It Does, sculpture, 2011
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Flood, color photograph, 2010
Later that evening we gathered in the drawing room (installation)
Concerning the Contemporary Landscape, photograph, 2015
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Attempt #45, 2 of 5
Color Photograph, 2012
Untitled #1 (Waves), color photograph, 2016
On Attempting Negative Capability, performance/Installation, 2010
Untitled (wave pile), 2012
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Shoot (Sans Burden), digital photograph intervention, 2012
In Consideration of the Wall (red foam nose), gallery intervention, 2016
C, sculptural situation, 2010