Artwork

Public Intellectual (interactive website)
Waves Of Melancholy (lying on my left side), poem
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Later that evening we gathered in the drawing room (photograph detail)
Yesterday (after On Kawara)
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
The Light That Never Goes Out Until It Does, sculpture, 2011
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
On Constructing a Black Hole, 3 of 3
Thank You for the Storage Space, 2 of 4
Lacuna (installation detail)
Waves Of Melancholy (lying on my right side), poem
Love Like Sponge
Shoot (Sans Burden), digital photograph intervention, 2012
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Theory and/or Practice (Self-Portrait) Photograph, 2019
Attempt #45, 4 of 5
C, sculptural situation, 2010
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Untitled #1 (Waves), color photograph, 2016
Trickle Down, sculptural situation, 2010
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
WEIRD WORD
A Scene from the Future
One Day
Standards & Rules
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Falling, performance, 2018
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
TENTATIVE!
1 and 3 Plants, installation, 2008
Thank You for the Storage Space, 4 of 4
Attempt #45, 2 of 5
Double Void (BaldeKlein), manipulated digital photograph, 2011
Why am I smiling?
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Later that evening we gathered in the drawing room (installation)
Erased Rauschenberg Drawing, digital intervention, 2016
Lacuna (Conduit), installation, 2009
Skin Flesh
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Void (after Yves Klein), digital photograph intervention, 2011
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Here We Left It: A Dear Heart Dance Production, performance, 2010
Lacuna (iceburg), sculpture, 2011
Andrew Salyer Reads Hannah Arendt
Attempt #45, 2 of 5
Stand up, 2010
To Think of Things Impossible
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Attempt #45, 1 of 5
Flood, color photograph, 2010
In Consideration of the Wall (red foam nose), gallery intervention, 2016
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
We Took Everything for Granted
Lacuna (Conduit), digital video, 2009
Comedy Routine, digital video, 2012
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Nothing Left to Make
Color Photograph, 2012
On Constructing a Black Hole, 1 of 3
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
SportsBall
Attempt #45, 3 of 5
Activist Art Exhibition Arendt Reading
I’ll Meet You Halfway, performance, 2010
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Thank You for the Storage Space, 1 of 4
On Constructing a Black Hole, 2 of 3
Concerning the Contemporary Landscape, photograph, 2015
What Does That Mean?
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
On Attempting Negative Capability, performance/Installation, 2010
Falling, performance, 2018
To Think of Things Impossible (detail)
Link to project: https://www.facebook.com/samephotoofandrewsalyereveryday
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Thank You for the Storage Space, 3 of 4
Thank You for the Storage Space, 4 of 4
Waves Of Melancholy (lying on my left side), poem
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Lacuna (installation detail)
Trickle Down, sculptural situation, 2010
Color Photograph, 2012
don’t forget to have a good time
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Thank You for the Storage Space, 3 of 4
The Great Fall, photograph, 2007
To Think of Things Impossible (detail)
Thank You for the Storage Space, 2 of 4
Falling, performance, 2018
The Light That Never Goes Out Until It Does, sculpture, 2011
Thank You for the Storage Space, 1 of 4
Lacuna (Conduit), digital video, 2009
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Waves Of Melancholy (lying on my right side), poem
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Shoot (Sans Burden), digital photograph intervention, 2012
Stand up, 2010
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Lacuna (iceburg), sculpture, 2011
Later that evening we gathered in the drawing room (photograph detail)
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
On Attempting Negative Capability, performance/Installation, 2010
On Constructing a Black Hole, 1 of 3
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Later that evening we gathered in the drawing room (installation)
Untitled (wave pile), 2012
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
I’ll Meet You Halfway, performance, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Untitled #1 (Waves), color photograph, 2016
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Void (after Yves Klein), digital photograph intervention, 2011
Flood, color photograph, 2010
Flood, color photograph, 2010
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
Activist Art Exhibition Arendt Reading announcement, 2017
Here We Left It: A Dear Heart Dance Production, performance, 2010
Attempt #45, 1 of 5
Public Intellectual (interactive website)
On Constructing a Black Hole, 3 of 3
C, sculptural situation, 2010
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Falling, performance, 2018
Comedy Routine, digital video, 2012
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Attempt #45, 2 of 5
Lacuna (Conduit), installation, 2009
1 and 3 Plants, installation, 2008
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Attempt #45, 3 of 5
Attempt #45, 4 of 5
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Erased Rauschenberg Drawing, digital intervention, 2016
Sharetopia, tumblr website
Attempt #45, 2 of 5
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
To Think of Things Impossible
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
On Constructing a Black Hole, 2 of 3
Activist Art Exhibition Arendt Reading
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Double Void (BaldeKlein), manipulated digital photograph, 2011
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Concerning the Contemporary Landscape, photograph, 2015
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011