Artwork

Shoot (Sans Burden), digital photograph intervention, 2012
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Double Void (BaldeKlein), manipulated digital photograph, 2011
Attempt #45, 4 of 5
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Here We Left It: A Dear Heart Dance Production, performance, 2010
We Took Everything for Granted
Andrew Salyer Reads Hannah Arendt
Public Intellectual (interactive website)
In Consideration of the Wall (red foam nose), gallery intervention, 2016
On Constructing a Black Hole, 3 of 3
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Lacuna (iceburg), sculpture, 2011
Yesterday (after On Kawara)
Stand up, 2010
Falling, performance, 2018
1 and 3 Plants, installation, 2008
Color Photograph, 2012
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Thank You for the Storage Space, 4 of 4
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Thank You for the Storage Space, 3 of 4
Love Like Sponge
Untitled #1 (Waves), color photograph, 2016
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Comedy Routine, digital video, 2012
Attempt #45, 1 of 5
Attempt #45, 2 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Thank You for the Storage Space, 2 of 4
Waves Of Melancholy (lying on my right side), poem
Later that evening we gathered in the drawing room (installation)
Void (after Yves Klein), digital photograph intervention, 2011
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
SportsBall
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
To Think of Things Impossible
TENTATIVE!
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
To Think of Things Impossible (detail)
A Scene from the Future
Falling, performance, 2018
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Thank You for the Storage Space, 1 of 4
Standards & Rules
I’ll Meet You Halfway, performance, 2010
Link to project: https://www.facebook.com/samephotoofandrewsalyereveryday
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Erased Rauschenberg Drawing, digital intervention, 2016
Lacuna (installation detail)
On Constructing a Black Hole, 1 of 3
Attempt #45, 3 of 5
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Lacuna (Conduit), digital video, 2009
Why am I smiling?
Lacuna (Conduit), installation, 2009
Attempt #45, 2 of 5
What Does That Mean?
Later that evening we gathered in the drawing room (photograph detail)
Waves Of Melancholy (lying on my left side), poem
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
WEIRD WORD
Flood, color photograph, 2010
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
The Light That Never Goes Out Until It Does, sculpture, 2011
Activist Art Exhibition Arendt Reading
Trickle Down, sculptural situation, 2010
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Skin Flesh
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
C, sculptural situation, 2010
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Theory and/or Practice (Self-Portrait) Photograph, 2019
On Attempting Negative Capability, performance/Installation, 2010
One Day
Nothing Left to Make
On Constructing a Black Hole, 2 of 3
Concerning the Contemporary Landscape, photograph, 2015
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Attempt #45, 3 of 5
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Public Intellectual (interactive website)
Falling, performance, 2018
Later that evening we gathered in the drawing room (photograph detail)
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Shoot (Sans Burden), digital photograph intervention, 2012
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Void (after Yves Klein), digital photograph intervention, 2011
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Double Void (BaldeKlein), manipulated digital photograph, 2011
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Waves Of Melancholy (lying on my right side), poem
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
I’ll Meet You Halfway, performance, 2010
Attempt #45, 1 of 5
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Thank You for the Storage Space, 3 of 4
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Untitled #1 (Waves), color photograph, 2016
Lacuna (Conduit), installation, 2009
Untitled (wave pile), 2012
To Think of Things Impossible (detail)
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Thank You for the Storage Space, 2 of 4
Activist Art Exhibition Arendt Reading
Flood, color photograph, 2010
Attempt #45, 4 of 5
The Great Fall, photograph, 2007
On Constructing a Black Hole, 2 of 3
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
On Constructing a Black Hole, 3 of 3
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
don’t forget to have a good time
Color Photograph, 2012
Erased Rauschenberg Drawing, digital intervention, 2016
Attempt #45, 2 of 5
The Light That Never Goes Out Until It Does, sculpture, 2011
Attempt #45, 2 of 5
Later that evening we gathered in the drawing room (installation)
To Think of Things Impossible
Trickle Down, sculptural situation, 2010
On Attempting Negative Capability, performance/Installation, 2010
On Constructing a Black Hole, 1 of 3
In Consideration of the Wall (red foam nose), gallery intervention, 2016
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Flood, color photograph, 2010
Concerning the Contemporary Landscape, photograph, 2015
Lacuna (iceburg), sculpture, 2011
Here We Left It: A Dear Heart Dance Production, performance, 2010
Sharetopia, tumblr website
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Waves Of Melancholy (lying on my left side), poem
Stand up, 2010
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
Lacuna (installation detail)
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Thank You for the Storage Space, 4 of 4
C, sculptural situation, 2010
Falling, performance, 2018
1 and 3 Plants, installation, 2008
Comedy Routine, digital video, 2012
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Activist Art Exhibition Arendt Reading announcement, 2017
Thank You for the Storage Space, 1 of 4
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Lacuna (Conduit), digital video, 2009