Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Color Photograph, 2012
Later that evening we gathered in the drawing room (photograph detail)
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Trickle Down, sculptural situation, 2010
On Constructing a Black Hole, 2 of 3
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
Void (after Yves Klein), digital photograph intervention, 2011
Lacuna (iceburg), sculpture, 2011
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Attempt #45, 3 of 5
Comedy Routine, digital video, 2012
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Flood, color photograph, 2010
Stand up, 2010
Double Void (BaldeKlein), manipulated digital photograph, 2011
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
The Light That Never Goes Out Until It Does, sculpture, 2011
Untitled #1 (Waves), color photograph, 2016
Lacuna (Conduit), digital video, 2009
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Thank You for the Storage Space, 4 of 4
Falling, performance, 2018
I’ll Meet You Halfway, performance, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Falling, performance, 2018
Why am I smiling?
1 and 3 Plants, installation, 2008
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Attempt #45, 2 of 5
Lacuna (Conduit), installation, 2009
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Shoot (Sans Burden), digital photograph intervention, 2012
Concerning the Contemporary Landscape, photograph, 2015
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Andrew Salyer Reads Hannah Arendt
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
To Think of Things Impossible
Theory and/or Practice (Self-Portrait) Photograph, 2019
On Constructing a Black Hole, 1 of 3
Here We Left It: A Dear Heart Dance Production, performance, 2010
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
C, sculptural situation, 2010
On Constructing a Black Hole, 3 of 3
Attempt #45, 2 of 5
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Thank You for the Storage Space, 3 of 4
Thank You for the Storage Space, 2 of 4
Attempt #45, 4 of 5
Later that evening we gathered in the drawing room (installation)
Lacuna (installation detail)
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Erased Rauschenberg Drawing, digital intervention, 2016
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
To Think of Things Impossible (detail)
Activist Art Exhibition Arendt Reading
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Thank You for the Storage Space, 1 of 4
On Attempting Negative Capability, performance/Installation, 2010
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Attempt #45, 1 of 5
Waves Of Melancholy (lying on my right side), poem
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Waves Of Melancholy (lying on my left side), poem
Public Intellectual (interactive website)
Thank You for the Storage Space, 1 of 4
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Lacuna (Conduit), digital video, 2009
Later that evening we gathered in the drawing room (photograph detail)
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Falling, performance, 2018
C, sculptural situation, 2010
Activist Art Exhibition Arendt Reading
To Think of Things Impossible
Falling, performance, 2018
Lacuna (installation detail)
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Attempt #45, 4 of 5
don’t forget to have a good time
On Constructing a Black Hole, 3 of 3
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Flood, color photograph, 2010
Sharetopia, tumblr website
Thank You for the Storage Space, 2 of 4
I’ll Meet You Halfway, performance, 2010
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Untitled (wave pile), 2012
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
The Light That Never Goes Out Until It Does, sculpture, 2011
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
On Constructing a Black Hole, 2 of 3
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Attempt #45, 2 of 5
Public Intellectual (interactive website)
Untitled #1 (Waves), color photograph, 2016
Stand up, 2010
On Constructing a Black Hole, 1 of 3
Thank You for the Storage Space, 3 of 4
Activist Art Exhibition Arendt Reading announcement, 2017
Attempt #45, 2 of 5
Color Photograph, 2012
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Waves Of Melancholy (lying on my right side), poem
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Waves Of Melancholy (lying on my left side), poem
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Lacuna (iceburg), sculpture, 2011
Comedy Routine, digital video, 2012
Attempt #45, 3 of 5
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Concerning the Contemporary Landscape, photograph, 2015
On Attempting Negative Capability, performance/Installation, 2010
Void (after Yves Klein), digital photograph intervention, 2011
To Think of Things Impossible (detail)
The Great Fall, photograph, 2007
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Trickle Down, sculptural situation, 2010
Here We Left It: A Dear Heart Dance Production, performance, 2010
Lacuna (Conduit), installation, 2009
Shoot (Sans Burden), digital photograph intervention, 2012
Attempt #45, 1 of 5
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Flood, color photograph, 2010
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
1 and 3 Plants, installation, 2008
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Later that evening we gathered in the drawing room (installation)
Erased Rauschenberg Drawing, digital intervention, 2016
Double Void (BaldeKlein), manipulated digital photograph, 2011
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Thank You for the Storage Space, 4 of 4
In Consideration of the Wall (red foam nose), gallery intervention, 2016
