Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Double Void (BaldeKlein), manipulated digital photograph, 2011
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Sharetopia, tumblr website
Attempt #45, 2 of 5
Public Intellectual (interactive website)
Attempt #45, 4 of 5
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
Untitled #1 (Waves), color photograph, 2016
Color Photograph, 2012
Later that evening we gathered in the drawing room (photograph detail)
Thank You for the Storage Space, 3 of 4
don’t forget to have a good time
In Consideration of the Wall (red foam nose), gallery intervention, 2016
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
The Light That Never Goes Out Until It Does, sculpture, 2011
Lacuna (installation detail)
Lacuna (Conduit), installation, 2009
Waves Of Melancholy (lying on my right side), poem
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Shoot (Sans Burden), digital photograph intervention, 2012
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Attempt #45, 3 of 5
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
On Constructing a Black Hole, 2 of 3
C, sculptural situation, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Flood, color photograph, 2010
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Attempt #45, 2 of 5
Comedy Routine, digital video, 2012
Thank You for the Storage Space, 2 of 4
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Flood, color photograph, 2010
Waves Of Melancholy (lying on my left side), poem
Void (after Yves Klein), digital photograph intervention, 2011
To Think of Things Impossible
Erased Rauschenberg Drawing, digital intervention, 2016
On Attempting Negative Capability, performance/Installation, 2010
To Think of Things Impossible (detail)
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
On Constructing a Black Hole, 1 of 3
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Untitled (wave pile), 2012
1 and 3 Plants, installation, 2008
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Falling, performance, 2018
Stand up, 2010
Trickle Down, sculptural situation, 2010
Thank You for the Storage Space, 4 of 4
I’ll Meet You Halfway, performance, 2010
The Great Fall, photograph, 2007
Thank You for the Storage Space, 1 of 4
Later that evening we gathered in the drawing room (installation)
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Activist Art Exhibition Arendt Reading announcement, 2017
Concerning the Contemporary Landscape, photograph, 2015
Falling, performance, 2018
Lacuna (Conduit), digital video, 2009
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Attempt #45, 1 of 5
Lacuna (iceburg), sculpture, 2011
In Consideration of the Wall (red foam nose), gallery intervention, 2016
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Activist Art Exhibition Arendt Reading
On Constructing a Black Hole, 3 of 3
Here We Left It: A Dear Heart Dance Production, performance, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
