Later that evening we gathered in the drawing room (photograph detail)
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Lacuna (installation detail)
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Waves Of Melancholy (lying on my right side), poem
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Later that evening we gathered in the drawing room (installation)
Attempt #45, 1 of 5
Lacuna (iceburg), sculpture, 2011
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
On Constructing a Black Hole, 3 of 3
Falling, performance, 2018
Shoot (Sans Burden), digital photograph intervention, 2012
On Constructing a Black Hole, 2 of 3
Thank You for the Storage Space, 1 of 4
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
In Consideration of the Wall (red foam nose), gallery intervention, 2016
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
1 and 3 Plants, installation, 2008
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Untitled #1 (Waves), color photograph, 2016
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
On Constructing a Black Hole, 1 of 3
To Think of Things Impossible
Falling, performance, 2018
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Attempt #45, 4 of 5
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Why am I smiling?
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Flood, color photograph, 2010
Public Intellectual (interactive website)
Stand up, 2010
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Here We Left It: A Dear Heart Dance Production, performance, 2010
I’ll Meet You Halfway, performance, 2010
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Thank You for the Storage Space, 3 of 4
To Think of Things Impossible (detail)
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Thank You for the Storage Space, 2 of 4
Attempt #45, 2 of 5
The Light That Never Goes Out Until It Does, sculpture, 2011
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
C, sculptural situation, 2010
Erased Rauschenberg Drawing, digital intervention, 2016
Lacuna (Conduit), installation, 2009
Andrew Salyer Reads Hannah Arendt
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
On Attempting Negative Capability, performance/Installation, 2010
Attempt #45, 3 of 5
Attempt #45, 2 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Activist Art Exhibition Arendt Reading
Waves Of Melancholy (lying on my left side), poem
Thank You for the Storage Space, 4 of 4
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Concerning the Contemporary Landscape, photograph, 2015
Comedy Routine, digital video, 2012
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Theory and/or Practice (Self-Portrait) Photograph, 2019
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Lacuna (Conduit), digital video, 2009
Double Void (BaldeKlein), manipulated digital photograph, 2011
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
Trickle Down, sculptural situation, 2010
Void (after Yves Klein), digital photograph intervention, 2011
Color Photograph, 2012
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Trickle Down, sculptural situation, 2010
Concerning the Contemporary Landscape, photograph, 2015
Double Void (BaldeKlein), manipulated digital photograph, 2011
In Consideration of the Wall (red foam nose), gallery intervention, 2016
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
On Constructing a Black Hole, 1 of 3
C, sculptural situation, 2010
On Constructing a Black Hole, 3 of 3
I’ll Meet You Halfway, performance, 2010
Here We Left It: A Dear Heart Dance Production, performance, 2010
Attempt #45, 1 of 5
Erased Rauschenberg Drawing, digital intervention, 2016
Comedy Routine, digital video, 2012
Thank You for the Storage Space, 4 of 4
Attempt #45, 4 of 5
Thank You for the Storage Space, 2 of 4
The Light That Never Goes Out Until It Does, sculpture, 2011
Shoot (Sans Burden), digital photograph intervention, 2012
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Waves Of Melancholy (lying on my left side), poem
Falling, performance, 2018
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
1 and 3 Plants, installation, 2008
Lacuna (installation detail)
Flood, color photograph, 2010
Attempt #45, 2 of 5
Attempt #45, 2 of 5
Lacuna (Conduit), installation, 2009
Later that evening we gathered in the drawing room (installation)
Activist Art Exhibition Arendt Reading announcement, 2017
Thank You for the Storage Space, 3 of 4
Public Intellectual (interactive website)
Flood, color photograph, 2010
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Later that evening we gathered in the drawing room (photograph detail)
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
To Think of Things Impossible (detail)
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
On Attempting Negative Capability, performance/Installation, 2010
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Attempt #45, 3 of 5
Sharetopia, tumblr website
Lacuna (Conduit), digital video, 2009
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Untitled (wave pile), 2012
Lacuna (iceburg), sculpture, 2011
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Stand up, 2010
Color Photograph, 2012
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
To Think of Things Impossible
Void (after Yves Klein), digital photograph intervention, 2011
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
The Great Fall, photograph, 2007
On Constructing a Black Hole, 2 of 3
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Thank You for the Storage Space, 1 of 4
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
don’t forget to have a good time
Waves Of Melancholy (lying on my right side), poem
Untitled #1 (Waves), color photograph, 2016
Falling, performance, 2018
Activist Art Exhibition Arendt Reading
