Comedy Routine, digital video, 2012
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
The Light That Never Goes Out Until It Does, sculpture, 2011
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Attempt #45, 3 of 5
On Attempting Negative Capability, performance/Installation, 2010
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Lacuna (Conduit), digital video, 2009
Lacuna (iceburg), sculpture, 2011
Attempt #45, 1 of 5
Activist Art Exhibition Arendt Reading
On Constructing a Black Hole, 3 of 3
Why am I smiling?
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Thank You for the Storage Space, 2 of 4
Falling, performance, 2018
Attempt #45, 4 of 5
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Falling, performance, 2018
To Think of Things Impossible (detail)
Stand up, 2010
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Lacuna (Conduit), installation, 2009
Void (after Yves Klein), digital photograph intervention, 2011
Later that evening we gathered in the drawing room (installation)
I’ll Meet You Halfway, performance, 2010
Thank You for the Storage Space, 3 of 4
Thank You for the Storage Space, 4 of 4
Concerning the Contemporary Landscape, photograph, 2015
Theory and/or Practice (Self-Portrait) Photograph, 2019
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Here We Left It: A Dear Heart Dance Production, performance, 2010
Color Photograph, 2012
Untitled #1 (Waves), color photograph, 2016
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Attempt #45, 2 of 5
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Andrew Salyer Reads Hannah Arendt
1 and 3 Plants, installation, 2008
Shoot (Sans Burden), digital photograph intervention, 2012
Waves Of Melancholy (lying on my right side), poem
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Public Intellectual (interactive website)
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Attempt #45, 2 of 5
Erased Rauschenberg Drawing, digital intervention, 2016
In Consideration of the Wall (red foam nose), gallery intervention, 2016
C, sculptural situation, 2010
Flood, color photograph, 2010
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
On Constructing a Black Hole, 1 of 3
Waves Of Melancholy (lying on my left side), poem
Double Void (BaldeKlein), manipulated digital photograph, 2011
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Lacuna (installation detail)
Trickle Down, sculptural situation, 2010
To Think of Things Impossible
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Thank You for the Storage Space, 1 of 4
On Constructing a Black Hole, 2 of 3
Later that evening we gathered in the drawing room (photograph detail)
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Concerning the Contemporary Landscape, photograph, 2015
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Color Photograph, 2012
Sharetopia, tumblr website
Attempt #45, 1 of 5
Thank You for the Storage Space, 4 of 4
Here We Left It: A Dear Heart Dance Production, performance, 2010
Waves Of Melancholy (lying on my right side), poem
To Think of Things Impossible (detail)
Erased Rauschenberg Drawing, digital intervention, 2016
Flood, color photograph, 2010
Attempt #45, 4 of 5
Trickle Down, sculptural situation, 2010
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
C, sculptural situation, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
The Great Fall, photograph, 2007
Double Void (BaldeKlein), manipulated digital photograph, 2011
Untitled #1 (Waves), color photograph, 2016
Waves Of Melancholy (lying on my left side), poem
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Untitled (wave pile), 2012
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
The Light That Never Goes Out Until It Does, sculpture, 2011
Thank You for the Storage Space, 3 of 4
Comedy Routine, digital video, 2012
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Later that evening we gathered in the drawing room (installation)
Falling, performance, 2018
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Flood, color photograph, 2010
To Think of Things Impossible
Thank You for the Storage Space, 2 of 4
On Constructing a Black Hole, 2 of 3
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Attempt #45, 3 of 5
Activist Art Exhibition Arendt Reading announcement, 2017
1 and 3 Plants, installation, 2008
I’ll Meet You Halfway, performance, 2010
Public Intellectual (interactive website)
Lacuna (Conduit), digital video, 2009
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Stand up, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
On Attempting Negative Capability, performance/Installation, 2010
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
On Constructing a Black Hole, 3 of 3
Lacuna (installation detail)
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Thank You for the Storage Space, 1 of 4
Void (after Yves Klein), digital photograph intervention, 2011
Lacuna (iceburg), sculpture, 2011
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Attempt #45, 2 of 5
Lacuna (Conduit), installation, 2009
Attempt #45, 2 of 5
don’t forget to have a good time
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Activist Art Exhibition Arendt Reading
Shoot (Sans Burden), digital photograph intervention, 2012
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Falling, performance, 2018
On Constructing a Black Hole, 1 of 3
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Later that evening we gathered in the drawing room (photograph detail)
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
