Shoot (Sans Burden), digital photograph intervention, 2012
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Untitled #1 (Waves), color photograph, 2016
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Thank You for the Storage Space, 4 of 4
Thank You for the Storage Space, 1 of 4
Falling, performance, 2018
On Constructing a Black Hole, 3 of 3
C, sculptural situation, 2010
Waves Of Melancholy (lying on my right side), poem
Activist Art Exhibition Arendt Reading
Andrew Salyer Reads Hannah Arendt
Later that evening we gathered in the drawing room (installation)
In Consideration of the Wall (red foam nose), gallery intervention, 2016
To Think of Things Impossible (detail)
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
I’ll Meet You Halfway, performance, 2010
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Thank You for the Storage Space, 2 of 4
Lacuna (Conduit), digital video, 2009
Lacuna (iceburg), sculpture, 2011
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Attempt #45, 2 of 5
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
To Think of Things Impossible
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Trickle Down, sculptural situation, 2010
Theory and/or Practice (Self-Portrait) Photograph, 2019
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Lacuna (Conduit), installation, 2009
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Public Intellectual (interactive website)
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Concerning the Contemporary Landscape, photograph, 2015
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Why am I smiling?
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Attempt #45, 3 of 5
Erased Rauschenberg Drawing, digital intervention, 2016
Flood, color photograph, 2010
Comedy Routine, digital video, 2012
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Attempt #45, 2 of 5
Falling, performance, 2018
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Lacuna (installation detail)
Attempt #45, 4 of 5
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Double Void (BaldeKlein), manipulated digital photograph, 2011
Thank You for the Storage Space, 3 of 4
On Constructing a Black Hole, 1 of 3
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
In Consideration of the Wall (red foam nose), gallery intervention, 2016
The Light That Never Goes Out Until It Does, sculpture, 2011
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
On Attempting Negative Capability, performance/Installation, 2010
On Constructing a Black Hole, 2 of 3
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Waves Of Melancholy (lying on my left side), poem
Later that evening we gathered in the drawing room (photograph detail)
Void (after Yves Klein), digital photograph intervention, 2011
Stand up, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Here We Left It: A Dear Heart Dance Production, performance, 2010
Color Photograph, 2012
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
1 and 3 Plants, installation, 2008
Attempt #45, 1 of 5
On Constructing a Black Hole, 2 of 3
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
On Attempting Negative Capability, performance/Installation, 2010
Trickle Down, sculptural situation, 2010
On Constructing a Black Hole, 1 of 3
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
C, sculptural situation, 2010
Activist Art Exhibition Arendt Reading announcement, 2017
Attempt #45, 1 of 5
Attempt #45, 2 of 5
The Great Fall, photograph, 2007
Untitled (wave pile), 2012
Falling, performance, 2018
To Think of Things Impossible
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Lacuna (Conduit), installation, 2009
To Think of Things Impossible (detail)
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Stand up, 2010
Shoot (Sans Burden), digital photograph intervention, 2012
Sharetopia, tumblr website
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Attempt #45, 2 of 5
Activist Art Exhibition Arendt Reading
Double Void (BaldeKlein), manipulated digital photograph, 2011
Void (after Yves Klein), digital photograph intervention, 2011
Waves Of Melancholy (lying on my right side), poem
In Consideration of the Wall (red foam nose), gallery intervention, 2016
1 and 3 Plants, installation, 2008
Thank You for the Storage Space, 3 of 4
Thank You for the Storage Space, 2 of 4
Here We Left It: A Dear Heart Dance Production, performance, 2010
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Flood, color photograph, 2010
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
I’ll Meet You Halfway, performance, 2010
Attempt #45, 3 of 5
Attempt #45, 4 of 5
Falling, performance, 2018
Color Photograph, 2012
Erased Rauschenberg Drawing, digital intervention, 2016
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Waves Of Melancholy (lying on my left side), poem
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Lacuna (installation detail)
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
The Light That Never Goes Out Until It Does, sculpture, 2011
Untitled #1 (Waves), color photograph, 2016
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Concerning the Contemporary Landscape, photograph, 2015
Lacuna (Conduit), digital video, 2009
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Public Intellectual (interactive website)
don’t forget to have a good time
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Flood, color photograph, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Lacuna (iceburg), sculpture, 2011
On Constructing a Black Hole, 3 of 3
Comedy Routine, digital video, 2012
Later that evening we gathered in the drawing room (photograph detail)
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Thank You for the Storage Space, 4 of 4
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Later that evening we gathered in the drawing room (installation)
Thank You for the Storage Space, 1 of 4
