Void (after Yves Klein), digital photograph intervention, 2011
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Andrew Salyer Reads Hannah Arendt
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
The Light That Never Goes Out Until It Does, sculpture, 2011
On Attempting Negative Capability, performance/Installation, 2010
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Lacuna (Conduit), digital video, 2009
To Think of Things Impossible (detail)
Lacuna (Conduit), installation, 2009
Attempt #45, 4 of 5
Thank You for the Storage Space, 4 of 4
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Erased Rauschenberg Drawing, digital intervention, 2016
Attempt #45, 2 of 5
Here We Left It: A Dear Heart Dance Production, performance, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Trickle Down, sculptural situation, 2010
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Thank You for the Storage Space, 3 of 4
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Lacuna (iceburg), sculpture, 2011
Falling, performance, 2018
Stand up, 2010
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Thank You for the Storage Space, 1 of 4
Waves Of Melancholy (lying on my right side), poem
Later that evening we gathered in the drawing room (installation)
C, sculptural situation, 2010
Public Intellectual (interactive website)
Double Void (BaldeKlein), manipulated digital photograph, 2011
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Comedy Routine, digital video, 2012
Lacuna (installation detail)
Flood, color photograph, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Thank You for the Storage Space, 2 of 4
On Constructing a Black Hole, 3 of 3
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Activist Art Exhibition Arendt Reading
Theory and/or Practice (Self-Portrait) Photograph, 2019
Untitled #1 (Waves), color photograph, 2016
Why am I smiling?
Attempt #45, 1 of 5
In Consideration of the Wall (red foam nose), gallery intervention, 2016
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Concerning the Contemporary Landscape, photograph, 2015
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Shoot (Sans Burden), digital photograph intervention, 2012
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
On Constructing a Black Hole, 1 of 3
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
On Constructing a Black Hole, 2 of 3
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Attempt #45, 3 of 5
Falling, performance, 2018
Attempt #45, 2 of 5
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Waves Of Melancholy (lying on my left side), poem
In Consideration of the Wall (red foam nose), gallery intervention, 2016
I’ll Meet You Halfway, performance, 2010
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
Color Photograph, 2012
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
To Think of Things Impossible
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Later that evening we gathered in the drawing room (photograph detail)
1 and 3 Plants, installation, 2008
Flood, color photograph, 2010
On Constructing a Black Hole, 1 of 3
Stand up, 2010
Untitled #1 (Waves), color photograph, 2016
Flood, color photograph, 2010
Thank You for the Storage Space, 3 of 4
I’ll Meet You Halfway, performance, 2010
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Here We Left It: A Dear Heart Dance Production, performance, 2010
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Erased Rauschenberg Drawing, digital intervention, 2016
Falling, performance, 2018
C, sculptural situation, 2010
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Attempt #45, 1 of 5
Attempt #45, 3 of 5
Waves Of Melancholy (lying on my right side), poem
Thank You for the Storage Space, 2 of 4
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
To Think of Things Impossible (detail)
Falling, performance, 2018
To Think of Things Impossible
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Thank You for the Storage Space, 1 of 4
Sharetopia, tumblr website
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Public Intellectual (interactive website)
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Attempt #45, 2 of 5
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Waves Of Melancholy (lying on my left side), poem
Untitled (wave pile), 2012
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Lacuna (installation detail)
Later that evening we gathered in the drawing room (photograph detail)
Lacuna (Conduit), installation, 2009
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
On Attempting Negative Capability, performance/Installation, 2010
Void (after Yves Klein), digital photograph intervention, 2011
1 and 3 Plants, installation, 2008
Lacuna (iceburg), sculpture, 2011
Double Void (BaldeKlein), manipulated digital photograph, 2011
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Later that evening we gathered in the drawing room (installation)
On Constructing a Black Hole, 2 of 3
Shoot (Sans Burden), digital photograph intervention, 2012
Attempt #45, 2 of 5
Activist Art Exhibition Arendt Reading
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Thank You for the Storage Space, 4 of 4
The Light That Never Goes Out Until It Does, sculpture, 2011
The Great Fall, photograph, 2007
Comedy Routine, digital video, 2012
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
On Constructing a Black Hole, 3 of 3
Color Photograph, 2012
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Concerning the Contemporary Landscape, photograph, 2015
Activist Art Exhibition Arendt Reading announcement, 2017
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
don’t forget to have a good time
Lacuna (Conduit), digital video, 2009
Trickle Down, sculptural situation, 2010
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Attempt #45, 4 of 5
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
