Artwork

Attempt #45, 2 of 5
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Yesterday (after On Kawara)
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Thank You for the Storage Space, 1 of 4
Double Void (BaldeKlein), manipulated digital photograph, 2011
Nothing Left to Make
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Attempt #45, 3 of 5
Love Like Sponge
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
To Think of Things Impossible
Thank You for the Storage Space, 2 of 4
On Constructing a Black Hole, 1 of 3
Lacuna (Conduit), installation, 2009
Flood, color photograph, 2010
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
TENTATIVE!
The Light That Never Goes Out Until It Does, sculpture, 2011
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Theory and/or Practice (Self-Portrait) Photograph, 2019
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Lacuna (iceburg), sculpture, 2011
On Constructing a Black Hole, 3 of 3
We Took Everything for Granted
Lacuna (installation detail)
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Attempt #45, 1 of 5
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
Link to project: https://www.facebook.com/samephotoofandrewsalyereveryday
Color Photograph, 2012
Here We Left It: A Dear Heart Dance Production, performance, 2010
Trickle Down, sculptural situation, 2010
Comedy Routine, digital video, 2012
In Consideration of the Wall (red foam nose), gallery intervention, 2016
What Does That Mean?
A Scene from the Future
Falling, performance, 2018
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
SportsBall
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
On Constructing a Black Hole, 2 of 3
Why am I smiling?
Standards & Rules
Thank You for the Storage Space, 4 of 4
Waves Of Melancholy (lying on my right side), poem
Thank You for the Storage Space, 3 of 4
Andrew Salyer Reads Hannah Arendt
C, sculptural situation, 2010
On Attempting Negative Capability, performance/Installation, 2010
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Void (after Yves Klein), digital photograph intervention, 2011
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Erased Rauschenberg Drawing, digital intervention, 2016
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Skin Flesh
Activist Art Exhibition Arendt Reading
Later that evening we gathered in the drawing room (installation)
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Falling, performance, 2018
I’ll Meet You Halfway, performance, 2010
Waves Of Melancholy (lying on my left side), poem
Concerning the Contemporary Landscape, photograph, 2015
Stand up, 2010
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
To Think of Things Impossible (detail)
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Attempt #45, 2 of 5
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Untitled #1 (Waves), color photograph, 2016
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Public Intellectual (interactive website)
Later that evening we gathered in the drawing room (photograph detail)
Lacuna (Conduit), digital video, 2009
1 and 3 Plants, installation, 2008
Attempt #45, 4 of 5
Shoot (Sans Burden), digital photograph intervention, 2012
One Day
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
WEIRD WORD
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Lacuna (installation detail)
To Think of Things Impossible
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Double Void (BaldeKlein), manipulated digital photograph, 2011
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
Later that evening we gathered in the drawing room (photograph detail)
Stand up, 2010
Waves Of Melancholy (lying on my left side), poem
Untitled #1 (Waves), color photograph, 2016
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Thank You for the Storage Space, 3 of 4
Falling, performance, 2018
On Constructing a Black Hole, 2 of 3
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
Erased Rauschenberg Drawing, digital intervention, 2016
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Attempt #45, 2 of 5
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Attempt #45, 2 of 5
To Think of Things Impossible (detail)
Trickle Down, sculptural situation, 2010
Thank You for the Storage Space, 4 of 4
Lacuna (Conduit), installation, 2009
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Activist Art Exhibition Arendt Reading announcement, 2017
Attempt #45, 3 of 5
Here We Left It: A Dear Heart Dance Production, performance, 2010
don’t forget to have a good time
Later that evening we gathered in the drawing room (installation)
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Falling, performance, 2018
Shoot (Sans Burden), digital photograph intervention, 2012
Comedy Routine, digital video, 2012
Color Photograph, 2012
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Flood, color photograph, 2010
Untitled (wave pile), 2012
Public Intellectual (interactive website)
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
The Great Fall, photograph, 2007
Activist Art Exhibition Arendt Reading
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Thank You for the Storage Space, 1 of 4
On Constructing a Black Hole, 1 of 3
I’ll Meet You Halfway, performance, 2010
Void (after Yves Klein), digital photograph intervention, 2011
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
C, sculptural situation, 2010
The Light That Never Goes Out Until It Does, sculpture, 2011
Lacuna (iceburg), sculpture, 2011
On Attempting Negative Capability, performance/Installation, 2010
1 and 3 Plants, installation, 2008
Thank You for the Storage Space, 2 of 4
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
Lacuna (Conduit), digital video, 2009
Flood, color photograph, 2010
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Concerning the Contemporary Landscape, photograph, 2015
Sharetopia, tumblr website
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Attempt #45, 1 of 5
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Waves Of Melancholy (lying on my right side), poem
Attempt #45, 4 of 5
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
On Constructing a Black Hole, 3 of 3