Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Here We Left It: A Dear Heart Dance Production, performance, 2010
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
To Think of Things Impossible
Attempt #45, 2 of 5
I’ll Meet You Halfway, performance, 2010
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Double Void (BaldeKlein), manipulated digital photograph, 2011
Something: A Brief Survey of Nothing, or, Using Art to See, 1958 to 2006 Curatorial Installation 2013
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Lacuna (installation detail)
Flood, color photograph, 2010
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
Andrew Salyer Reads Hannah Arendt
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
Theory and/or Practice (Self-Portrait) Photograph, 2019
Untitled #1 (Waves), color photograph, 2016
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
The Light That Never Goes Out Until It Does, sculpture, 2011
Lacuna (iceburg), sculpture, 2011
Lacuna (Conduit), installation, 2009
Later that evening we gathered in the drawing room (installation)
To Think of Things Impossible Osé print (four panels totaling 9 ft x 12 ft) 2004
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
1 and 3 Plants, installation, 2008
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
On Constructing a Black Hole, 3 of 3
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Waves Of Melancholy (lying on my right side), poem
To Think of Things Impossible (detail)
On Constructing a Black Hole, 2 of 3
Void (after Yves Klein), digital photograph intervention, 2011
Attempt #45, 3 of 5
Thank You for the Storage Space, 3 of 4
Thank You for the Storage Space, 1 of 4
An Attempt At Transparency, or: Cleaning a Large Glass Wall (while listening to Howard Zinn’s A People’s History of the United States), or: The Spectacular Trap of Transparency Performance and Installation, 2018
Attempt #45, 2 of 5
Lacuna (Conduit), digital video, 2009
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
C, sculptural situation, 2010
Activist Art Exhibition Arendt Reading
Falling, performance, 2018
Thank You for the Storage Space, 2 of 4
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
Trickle Down, sculptural situation, 2010
Public Intellectual (interactive website)
Attempt #45, 4 of 5
Erased Rauschenberg Drawing, digital intervention, 2016
Why am I smiling?
On Constructing a Black Hole, 1 of 3
Attempt #45, 1 of 5
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
Color Photograph, 2012
An artistic gesture, conceived in the year 2013 for Madison Public Library’s “Q&A” exhibition, in which a red foam clown nose is attached to the gallery wall in an effort to consider the agency of the architecture itself
Concerning the Contemporary Landscape, photograph, 2015
On Attempting Negative Capability, performance/Installation, 2010
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Comedy Routine, digital video, 2012
Stand up, 2010
Later that evening we gathered in the drawing room (photograph detail)
Falling, performance, 2018
Shoot (Sans Burden), digital photograph intervention, 2012
Waves Of Melancholy (lying on my left side), poem
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Thank You for the Storage Space, 4 of 4
Untitled (filmstrip for a utopian horizon), 16mm filmstrip, nail, 2012
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself, gallery intervention
Shoot (Sans Burden), digital photograph intervention, 2012
Stand up, 2010
Double Void (BaldeKlein), manipulated digital photograph, 2011
Thank You for the Storage Space, 2 of 4
Public Intellectual (interactive website)
To Think of Things Impossible (detail)
The Light That Never Goes Out Until It Does, sculpture, 2011
Flood, color photograph, 2010
In Consideration of the Wall (red foam nose), gallery intervention, 2016
The Act of Drinking Beer with Friends Is Still the Highest Form of Art (after Tom Marioni), 2009
Later that evening we gathered in the drawing room (installation)
Void (after Yves Klein), digital photograph intervention, 2011
In Consideration of the Wall (red foam nose), gallery intervention, 2016
Falling, performance, 2018
don’t forget to have a good time
1 and 3 Plants, installation, 2008
Activist Art Exhibition Arendt Reading
Later that evening we gathered in the drawing room, champagne-filled balloon detail, installation (champagne filled balloons, black and white photograph, inner-wall audio)
Lacuna (Conduit), installation, 2009
“A Moment of Multiple Collapses During an RSA (Repressive State Apparatus) and ISA (Ideological State Apparatus) Event, with Additional ISA Events Aestheticizing Said Event for Consideration and Distribution (After Althusser, After Stephen Crowley/ The New York Times), appropriated digital Image, 2013
Lacuna (installation detail)
President Kennedy signs the Nuclear Test Ban Treaty in the White House Treaty Room – October 7, 1963, digital photograph intervention
Color Photograph, 2012
Trickle Down, sculptural situation, 2010
The Impossible Death of Mallarmé Through the Eyes of Broodthaers, 2009
The Great Fall, photograph, 2007
Untitled (wave pile), 2012
To Think of Things Impossible
President Reagan holds an oval office staff meeting on his first full day in office (from left to right) Deputy Chief of Staff Michael Deaver, Counselor to the President Ed Meese, Chief of Staff James Baker III, Press Secretary James Brady, President Reagan. 1/21/81. Digital Intervention 2013
“too sad to tell” (After Bas Jan Ader), digital intervention, 2013
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
Let’s not shit ourselves, your illusions have always been made of blue tape, 16mm projector and duct tape, 2011
Lacuna (iceburg), sculpture, 2011
Pantone 11-4800 (Blanc Sur Blanc Sur Blanc),” 2017, ink on paper
It’s a Wonderful Life or: How I Learned to Love Where We Come From, What We Are, and Where We Are Going 2008
Attempt #45, 3 of 5
Erased Rauschenberg Drawing, digital intervention, 2016
On Attempting Negative Capability, performance/Installation, 2010
Eating Fruit While Reading Poems by Pablo Neruda, performance for the camera, 2010
Thank You for the Storage Space, 3 of 4
C, sculptural situation, 2010
Thank You for the Storage Space, 4 of 4
Flood, color photograph, 2010
Seedless Bed (After Vito Acconci), Digital photograph intervention, 2011
Untitled #1 (Waves), color photograph, 2016
Coffee Story (with Spatula&Barcode’s project Café Allongé), performance, 2011
Attempt #45, 1 of 5
Attempt #45, 2 of 5
Activist Art Exhibition Arendt Reading announcement, 2017
An artistic gesture, conceived in the year 2013 for Laurie Beth Clark’s “Ossuary,” in which a rectangular hole is cut within a museum wall in an effort to consider the architecture itself
On Constructing a Black Hole, 1 of 3
Sharetopia, tumblr website
I’ll Meet You Halfway, performance, 2010
Later that evening we gathered in the drawing room (photograph detail)
Comedy Routine, digital video, 2012
Here We Left It: A Dear Heart Dance Production, performance, 2010
OnoBot Project, Interactive website (Javascript), http://onobot.tumblr.com
On Constructing a Black Hole, 2 of 3
Attempt #45, 4 of 5
Waves Of Melancholy (lying on my right side), poem
Sites of Representation, website, https://www.tumblr.com/blog/sitesofrepresentation
Wisconsin Triennial, “Sensible Analysis,” Madison Museum of Contemporary Art, Madison WI, part of Spatula&Barcode’s Café Allongé, 2013
Self Portrait In a Movie That I Wasn’t In (Oceans Eleven, 2001), Film still intervention, 2011
On Constructing a Black Hole, 3 of 3
Attempt #45, 2 of 5
Concerning the Contemporary Landscape, photograph, 2015
Deconstructed Iceberg, mixed media installation (cardboard, blue light, rock, tape, and hand-written sign), 2012
Falling, performance, 2018
Lacuna (Conduit), digital video, 2009
Thank You for the Storage Space, 1 of 4
Waves Of Melancholy (lying on my left side), poem
Relatively Calm Water (lying on my left side, lying on my back, lying on my right side), poem
